Category Archives: Writing to Heal

How to Transform Grief into a Memoir: Interview with Artis Henderson by Dorit Sasson

Posted by Kathleen Pooler/@kathypooler with Dorit Sasson/@VoicetoStory

 

“I believe we are given the stories we must tell.” – Artis Henderson.

 

It is my pleasure to feature author, story mentor and radio host Dorit Sasson in this interview with memoir author Artis Henderson. Dorit and I met online and I have enjoyed her in-depth and insightful interviews on her”Giving Voice to Your Story” Radio Show. Dorit is also writing a memoir about her three years serving in the Israeli Defense Forces and blogs about memoir writing on her blog and on Huffington Post Books.  She is the author of  a story, “The Best Time To Get in My Way” in the anthology, Pebbles in the Pond: Transforming the World One Person at a Time.

In this blog post, Dorit interviews Artis Henderson on the writing process for her memoir Unremarried Widow, which began as an essay in The New York Times’ Modern Love column. This blog post will focus on the emotional narrative of losing her husband, a pilot for the US army in Afghanistan, and how the author was able to move past the emotionally difficult process of downloading “scenes” to create a memoir.

Note: This interview can also be heard in its audio format as part of Dorit’s radio show, “Giving Voice to Your Story.”

 

 

Welcome, Dorit!

Dorit-With-Book
Author, story mentor, radio host Dorit Sasson

 

How to Transform Grief into a Memoir

 

HendersonArtis (1)
Memoir Author Artis Henderson

 

Dorit Sasson: How did you manage at first to voice the grief of your husband Miles and his memory in your memoir?

 

Artis Henderson: This is such a big question. Writing in general and writing a book in particular is almost like magic. I’m not even sure how it happened. It’s such a mystery how to turn grief into a story. On a personal level, when I had first signed the contract, when I knew the book was coming, I remember feeling very worried. I had a proposal but I hadn’t written the book. I talked to my editor and he said, “just tell the story.”

 

And so, that’s what I did. I sat down and started writing. I started at the beginning of the memoir when I met Miles and wrote straight through to the end of it. Of course there was lots of editing and rewriting, but I think the hardest part is just finding a starting place. Maybe that’s the answer.

 

DS: How did you get clarity as an insider and as an outsider when dealing with grief?

 

AH: I honestly didn’t consider the reader until after the book was written. As I’m writing it, I’m telling the story for myself. I never worried about who would be reading it. I actually think if I thought about this too much, I might have censored what I put down. I may have been shy or even embarrassed. My goal however in the long run, was to help someone else feel what I was feeling in those moments.

 

DS: How did the writing impact the grieving and vis-versa?

 

AH: Yes, the two are so intertwined. The book only came out in January 2014, and it’s a little over seven years since Miles passed away, so it hasn’t been that long. Writing a book was a really big part of my grieving process. I grieved for him so intensely on an everyday basis for a solid year, but then by the second and third years, I started focusing on the future applying to grad schools and then going overseas. So I actually had to put my grief to the side and then when I started writing the book, I think I realized there was so much grieving to be done. Writing the book took two solid years and I have to tell you, I cried every day. There was no part of the book that didn’t affect me. The encouraging part is that now I’m able to speak about him and about what happened without falling apart. I could not do that before writing the book.

I would trade everything to have Miles back in a second. But that’s not an option. It took me a long time to realize that. I kept thinking, “if I did everything right, he would come back.” But once I realized he wasn’t coming back for good, I realized I had a huge responsibility to turn his death into something good.

I definitely wanted the reader to feel me taking that heavy responsibility. I just wanted to be a more active participant in my life.

 

DS: How did you plan those scenes so you were really touching on those message or was this not intentional or were you just occupied with telling the story and speaking your truth?

 

AH: At first, I was just focused on telling the story, and the truest moments of that story. It was only after coming up with the arc was completed I realized was me coming out with this grief. I shyed away from this at the beginning.

 

DS: What kinds of tips or strategies did you use to help you get clear on your story arc?

 

AH: I had written a solid chunk of the book. I was worried and obsessed with structure. I spent so much time on the arc and I would map everything out and think about the arc all the time. But then as I was writing, I realized that structure comes from writing. I had to keep writing. So after 120 pages, I realized I needed more pages and writing. It was only then that the structure emerged organically from that material.

 

DS: How did you get unstuck from the writing?

 

AH: I handed in my first draft the year after I signed the contract. During that year, I wrote furiously during which I wrote 130 pages and handed the draft to my editor. I said to them, this is all I can come up with! I couldn’t think of anything else to write. And that was when I realized what a great editor can do for you. In that draft, she pulled out areas I needed to develop more. She asked questions and pointed me in some very clear directions. Once I had that, I was able to continue writing.

 

Thunderstorm over Karoo landscape, Nieuwoudtville, South Africa

 

As you can see from this in-depth interview, grieving is not a pre-planned process. Much of it happens side by side with the writing. When we allow ourselves to grieve, we open the doors to deeper expression.

***

Thank you Dorit for this thought-provoking interview about the power of memoir writing. This interview shows how writing helped Artis process her grief and, in doing so, serves as a template for the rest of us. It takes a great deal of courage and perseverance to face painful memories, but writing through the pain can lead to healing.

***

 Dorit Sasson, an award winning speaker and author and creator of Giving Voice to Your Story radio show and website, is available for consulting, speaking and writing projects. She also blogs for Huffington Post Books and is currently working on her memoir about the years she served in the Israel Defense Forces.

Facilitator & Story Mentor: www.GivingaVoicetotheVoicelessBook.com

Radio Show Personality, “Giving Voice to Your Story”

Will I be giving voice to your story and platform over at Creating Calm Network?

NEW! Check out my Amazon Author Central Page! 

amazon.com/author/doritsasson

Twitter@VoicetoStory

***

How about you? Has writing helped you heal? How have you handled the process of facing painful memories and writing through them?

We’d love to hear from you. Please leave your comments below~
This Week:
Thursday, 7/10/14: 
” A Memorial to Our Beloved Lake House: A Memoir Moment.”
7 pm ET: I will be participating in a NAMW Roundtable discussion about Crowdfunding  through Pubslush with Amanda Barber, Sonia Marsh and Linda Joy Myers. You can sign up for this free roundtable discussion here.

Coming soon- memoir 4

 

Introducing Ever Faithful To His Lead: My Journey to Memoir

Posted by Kathleen Pooler/@kathypooler

 

My journey to memoir has led me to self-discovery and healing. It has made me look at my life and understand the choices that have led me to the woman I am today. At 67, I look back at the young woman who made many self-defeating life decisions. In writing my story, I have learned to embrace my flaws and setbacks and forgive myself for the path I chose. For it is through this path that I ultimately found the joy and contentment I am experiencing today.

 

EVER FAITHFUL TO HIS LEAD helped me answer my own burning question:

How does a young woman from a loving, stable family make so many wise choices about career, yet so many poor choices about love that she ends up escaping with her children in the middle of the day from a second abusive marriage?

 

Here’s my journey to memoir….

 

Writing a memoir is really hard work. It’s like having a homework assignment every day of your life.

It means showing up and getting in a writing zone where the words flow, or not. It means fighting your inner critic , facing rejection.

It means allowing yourself to be vulnerable and genuine, revisiting painful memories and gleaning the life lessons.

 

One word, one thought at a time. Like a huge jigsaw puzzle. You pour the pieces on the table, then begin sorting them Into a recognizable pattern.

 

But a memoir is not a string of vignettes–delightful and compelling as these stories may be. It’s a story with a takeaway. All those pieces of the puzzle need to be shaped into a narrative arc, with a theme, plot points, scenes, dialogue, sensory detail, dramatic tension, conflict and eventually resolution.

 

 

A story of transformation that will benefit the reader and connect them with their own transformation.

 

When I sent my manuscript to a developmental editor, her response was , “you have more than one memoir here.” I had poured my heart and soul into those pages and now I had to rethink the whole process.

 I had to be the one to find my own story and once I found it, I had to claim it and honor it as the story I needed and wanted to tell. That took another few months to process. I set the manuscript aside and went off on my own to pout, grieve, stew, until one day a friend I hadn’t seen in years visited. She asked me to read the chapter she was in and when I finished, she said, “It reads like a novel” .

 

This, of course, was music to my memoirist’s ears. And I never looked back. I claimed my story and began the next arduous leg of my journey, rewriting, shaping, editing through professional editors and beta readers.

 

After a year of digging deeper, I reached the polishing stage. My publisher offered a final proofread…

 

After five years of writing and rewriting, Ever Faithful to His Lead is getting ready for its debut. It is a story of hope, resilience and courage. My greatest wish is that it will touch the heart of those who need it the most–women who find themselves in the grip of an abusive relationship and are searching for their inner strength and freedom.

 

Please join me I spreading this message through my Pubslush campaign for Ever Faithful to His Lead which went live on May 12 for 30 days.

 

Here’s the link:

 

http://pubslush.com/books/id/2076 

 

Thank you and please let me know your thoughts and questions.

 

I’d love to hear from you. Please leave your comments below

 

 

This week:

 

Thursday, 5/14:  “Google+Hangout Interview with Memoir Author Cindi McVey: To Live in Paradise: Dreams Found and Lost in Africa”

 

 

Overcoming Childhood Abuse and Healing the Spirit: An Interview with Memoir Author Marion Witte

Posted by Kathleen Pooler/@kathypooler with Marion Witte/@MarionWitte

“It is not the truth that will hurt you; it is the lies.”  Marion Elizabeth Witte

I am very pleased to feature Memoir Author Marion Witte in this interview about her memoir, Little Madhouse on the Prairie: A True-Life Story of Overcoming Abuse and Healing the Spirit. Marion and I met on Goodreads. My book reviews can be found on Goodreads and Amazon.

Welcome , Marion!

Marion Witte
Author Marion Witte

 

 

KP: Your memoir, “Little Madhouse on the Prairie,” begins by going back two generations in your family. Why?
MW: I had a desire to understand what it was that made my parents act and behave as they did. I intuitively knew that there must be a reason for how they parented.  I came to believe it was a learned behavior, so I wanted to go back and find its source. Both of my parents came from rather stoic cultural and genetic backgrounds – Scandinavian and German – and they were very closed-mouthed when it came to talking about family “issues.” I wasn’t going to find out what I needed to learn from them, so I needed to go back to the ancestral source. It seemed as if “not talking” was part of the problem, and I discovered that to be true.

 

KP: When did your mother begin the physical abuse?
MW: It began, to the best of my recollection, when I was about three years old. I have a theory that my mother may have suffered from post-partum depression after my sister was born. Both my brother’s and my world were turned upside down after my sister was born. To me, something changed in our lives. Maybe everything in her life – the three children, the farm workload, a husband who abandoned her every night to go to the bar in town – tipped the scales.

KP: Describe the circumstances that would prompt her anger.

 

MW:  It was pretty random and unpredictable. That was even more difficult than knowing you’d done something wrong. Or that it was precipitated by something other than my behavior. For a while I tried to control things by being as good as I could, or as quiet as I could. But when that didn’t work, I tried to absent myself from the physical situation.

 

KP:  Discuss the moment you realized your father was incapable of coming to your defense.
MW:  The first time I realized it was when I told him how my mother was treating me. My father was gone a lot, but when he was home I realized my mother did not punish us. I came to believe he was totally unaware of what was happening. I decided to share very carefully what was happening in my life. I was waiting for him to rise to the occasion and whisk me away. The opposite happened. He left. Then he came back and told me he was leaving my mother and we would never see him again. That was all traumatic for a little girl. That was when the abject loneliness began, because I knew I was alone in the world. I also believed he was leaving because I told him my “secrets.” I never spoke to him about it again until he was on his death bed.

 

KP:  Were any adult friends or family aware of the abuse?
MW: I don’t know. At the time I thought not because no one ever said anything. As an adult I believe the family that lived on the same farm was aware. My aunt, I think, knew something wasn’t right. I also think the teachers at my school had an idea something was not right.

 

KP: When did you finally say to yourself “enough is enough”?    

     
MW: I was sixteen and my mother and I had an argument. She went into the porch to get the wooden oak rod she used to beat me with and I snapped. I broke the rod into two pieces and threw my mother against the washing machine. The years of pent-up rage came out. I told her enough was enough and that next time I would kill her. My life could have taken a whole different path that day if I had made good on that promise.

 

KP: When your mother finally stopped abusing you, you seemed to start abusing yourself. What happened in high school?
MW: After that event there was something released in me that I’d been shoving down. It exploded in high school and I was angry and it was coming out in the most inappropriate ways. I turned into a juvenile delinquent. I started drinking and defying the teachers. The result of years of abuse started pouring out and I took my anger out at people in authority.

 

KP:  You were so successful in your early career. In what ways did your childhood abuse interfere with your enjoyment of that success?
MW: Because nothing I did it was ever good enough. It was never perfect. It was a constant struggle to accept and enjoy the success. Outwardly I appeared to be climbing the ladder. Inside I couldn’t climb it high enough or fast enough. No matter what accolades I earned, it didn’t satisfy me because I didn’t feel it inside. No external achievement could change how I felt inside.

Most people had no idea this is how I felt – because when you’re abused as a child you’re always pretending everything is okay.

 

KP: You write with compassion about your family, even though they wounded you. Is forgiveness part of the healing process?


MW: For me, it was an important final step.  I realized if I couldn’t forgive, there would always be tightness in my heart and in my spirit. Others disagree and say you don’t need to forgive your abuser. To me, forgiveness opened up my heart. You can heal emotionally and psychologically, but until you bring your heart into state of forgiveness, you can’t heal spiritually. It was the step that set me free.

 

KP:  What is your hope for “Little Madhouse on the Prairie”?
MW: I want to shed light on what happened to me so that others who encountered childhood mistreatment, or are now in those situations, know that they are not alone.  There is hope and help and you can recover. I want people to understand that what happened to them as children affects their adult behavior and the way they parent.  I call it “connecting the dots” between our childhood experiences and our adult behavior.

 ***

Thank you , Marion for sharing the painful lessons you learned so bravely about how abuse as a child affected you as an adult and for showing us your pathway to healing. Your story will provide hope to others who have suffered and need to know they are not alone.

Author’s Bio and Contact Information for Marion Witte:

Certified Public Accountant

Award Winning Author

President of Angel Heart Foundation

Book website – littlemadhouseontheprairie.com

Publishing website – wiseowlpublishing.com

Books available at amazon.com and barnesandnoble.com

Blog – marionwitte.com

Foundation website – angelheartfoundation.org

 

 

Marion Witte was raised on a farm on the North Dakota prairie, where she lived with her mother, father, older brother and younger sister until she was 18.

 

Conditions inside the Witte household were often as brutal as the outdoor winters.  Disobedience was severely punished and Marion in particular was the target of her mother’s wrath.  She was beaten for the slightest offense and locked in a terrifyingly dark cellar.  The violent dysfunction seemed contagious — Marion’s brother once slaughtered her beloved pet rabbits with a shotgun in a fit of anger.

 

In her compelling memoir, “Little Madhouse on the Prairie,” Witte vividly describes how abandonment, alcoholism, isolation and unhappiness plagued her family for generations, creating a perfect storm of child abuse.  We learn of her parents’ and grandparents’ grueling struggles as they scratched out livings on the harsh Midwestern plains, where lessons were taught by beatings and children were seen, never heard.

 

Witte’s great compassion and clear-eyed perspective elevates “Little Madhouse on the Prairie” beyond a story of violence.  By shedding light on the cultural roots of her own abuse, Witte sets the stage for a way out of the cycle of violence against all children.  “Little Madhouse on the Prairie” is an impassioned plea for action to extend human rights to the planet’s youngest citizens.  Her memoir also suggests ways one can heal from the wounds of abuse.  Left untreated, she writes, those wounds can lead to self-destruction, and turn an abused child into an abusive adult.

 

Witte finally escaped her misery by attending college, where she excelled academically and graduated in three years at the top of her class with a degree in business administration and accounting.  She passed the CPA exam while a junior, becoming one of the youngest CPAs in the country that year.

 

Yet even as her career soared she was haunted by the emotional damage she had suffered as a child and which followed her into adulthood.  In 1991, she began the long road to emotional recovery.  In 2007, Witte sold her successful business to provide the funding necessary to pursue her passion – empowering children.  She established the Angel Heart Foundation, whose vision is “All Children Deserve a Safe and Just World.”

 

Witte lives in Ventura, California, not far from her daughter, Angela.

 

 

 

How about you? Has writing about past abuses helped you to heal? How do you feel about reading about childhood abuse?

 

Marion has agreed to give away a copy of her memoir to a commenter whose name will be selected in a random drawing at the end of the week.

 

Marion and I would love to hear from you. Please leave your comments below~

 

Announcements: (Drum roll…) And the winners are:

Sharon Lippincott won Toni Piccinini’s memoir, The Goodbye Year: Wisdom and Culinary Therapy t Survive Your Child’s Senior Year of High School (and Reclaim the You of You)

Paige Strickland won Greta Beigel’s memoir, Kvetch, One Bitch of a Life: A Memoir of Music and Survival.

Clara Bowman Jahn won Denis Ledoux’s The Memoir Start-up Package.

 

Congratulations to all the lucky winners!

Thank you  all for stopping by and commenting. Your presence “around my kitchen table ” is greatly appreciated.

 

Next Week: 

Monday, 11/4:     A Milestone in a Memoir Writer’s Journey: Are We There Yet?”

Thursday, 11/7:  “The Face of Abuse: Should I Stay Or Should I Go? by Memoir Author Wanda S. Maxey

 

 

 

Lessons From A Dancing Life: An Interview with Memoir Author Sheila K.Collins

Posted by Kathleen Pooler/@kathypooler with Sheila K.Collins/@SheilaKCollins

 

“One must still have chaos in oneself to be able to give birth to a dancing star”  Friedrich Nietzche, Philosopher

 

dwe-logo Sheila Collins
DWE- logo from Sheila’s website

I am very pleased to feature Memoir Author Sheila K. Collins in this interview about her newly released memoir, Warrior Mother: Fierce Love, Unbearable Loss and Rituals that Heal. Sheila and I met when her literary publicist Stephanie Barko contacted me to review and participate in the launch of Warrior Mother. A lucky commenter whose name will be selected in a random drawing will receive a copy of her memoir.

Warrior Mother is the true story of a mother’s fierce love and determination, and her willingness to go outside the bounds of ordinary when two of her three adult children are diagnosed with and succumb to life-threatening diseases. My reviews can be found on Amazon and Goodreads.

Sheila calls herself a “dancing social worker who practices finding the words to write about it all” Her mission is to encourage, inspire and enliven women to dance with everything.
Here is The Warrior Mother book trailer:

We will explore how dancing helped her to write her memoir and how writing her memoir helped her to heal from the unfathomable losses of her two adult children.

Welcome, Sheila!

Sheila Flyer Picture
Author and Dancer Sheila K Collins

 

KP:  You have developed a unique way of achieving peace and healing in your life through your dancing rituals. In Warrior Mother you show how these rituals helped you to heal. When did you discover dancing to be a pathway to healing?

SC: It seems I’ve always known that dancing put me in a more centered and grounded place. Even my children noticed, when they were small that when I came back home from a dance class or performance, I was happier and so glad to see them. If I would get out of sorts or impatient they would sometimes remind me, “It’s time for you to go dancing again Mom.”

 

KP:  In your preface, you share how you made a conscious decision to step back into the pain of losing two of your three adult children to horrific diseases. What made you decide to tell your story?

 

SC: When I was a professor of social work, I designed the health care curriculum and my students did field placements in hospitals and other health care setting.  As a therapist for thirty years I helped many families deal with the pain of major diagnoses, illness and loss. So I was familiar with the professional literature on these topics. But when it was happening to me, and members of my own family, there was so much I didn’t know, so much that no one speaks or writes about. I was determined to deal with some of those themes, to tell those stories. Also, my daughter intended to tell her story. “When this is all over,” she would say, “I will speak about this and about what God has done for me.” Since she wasn’t able to tell her story, I felt it was even more important for me to write my version of what happened to us: the tough parts, the funny parts, and the amazing grace that gave us the strength to live fully through it all.

 

 

KP: As you state on your website, you “use dancing as a metaphor and a vehicle” for dealing with the stressors of life and for living life fully. Please share how dancing helped you face and endure the devastating illnesses and losses of your two adult children, Ken and Corinne.

SC: Well, first there is the metaphor. I asked myself, what makes it a dance instead of just a bunch of movements, a series of calisthenics? It’s the transitions that tie one movement into the next, creating a flow, a sense of connection and inevitability. A dancer puts her whole self into the movement, without resistance, and becomes one with the dance. Relating that to my experiences with my two children through their illnesses and deaths, as a dancer I knew to stay present in my body, feel the resistance and the pain, and then as soon as possible, to say yes to what life was demanding of me. Also a big part of my story tells about being held up by the love and support of others. As a former member of the chorus, or corps de ballet, I learned early, I’m just one small part of any performance piece. It’s how it all fits together that makes the dance, that makes the work art.

 

 

KP: You call yourself “a dancing social worker” which, to me, means you are combining your many skills to face life’s challenges. How has being in the health care field as a social worker impacted—positively or negatively– your ability to deal with your painful losses?

SC: Sometimes being in the health care field can make things harder because you have higher expectations than the general public. My daughter was a physical therapist and as such, she was a cheerleader for her patients. She always encouraged them and never wanted anyone to take their hope away. She was shocked to see that some physicians didn’t subscribe to that philosophy. I had my own issue with the hospital social worker who handed us a five  page list of apartments to lease when Corinne’s treatment required us to spend the summer in Houston. We could have gotten that from the phone book, so of course I thought she should have taken more time to actually help us find a place. My mother, who was a nurse, always felt that nurses and doctors make terrible patients or family members of patients, because they know two much about how things can go wrong with a particular treatment. But now with the Internet, we can all read about all the things that can go wrong, along with the things that can go right.     

 

KP: What are the main messages you want to convey to your readers in Warrior Mother?

SC: My daughter told her five-year-old son, when she had to explain to him about the loss of the twins she was carrying, that there are happy times and sad times. And that “the sad times are shorter and the happy times are longer.” I want people to know that they are connected. Just as happy events can come with stressful challenges, (a new baby, preparing for a wedding) so is the opposite the case, (going through an illness, dealing with death.) The tough stuff in my life also brought precious gifts I could never have imagined beforehand. The experience I wrote about in the book about being with my friend Rose in the hospital during the last fourteen days of her life turned out to be a sacred holy time. All those experiences were useful later to help get me through my experiences with my children; the dancing, singing, storytelling, meditating rituals, and the support and sharing of community.

 

 

KP: In the afterword, you state that you feel you were able to share more special times with your adult children due to their illnesses than if they had been healthy and busy in their own lives. This strikes me as being an incredibly brave and positive attitude to attain. How have you been able to maintain your positive attitude?

SC: I feel I am responsible for my own happiness. If my children where still here in this life I would not want them to worry about me or feel obligated to take care of me. And after seeing how hard my children each fought for the chance to have more life, I don’t want to dishonor them by moping around in self pity, wasting the additional years of life I’ve been given. I think more about what there is left to do. On the anniversaries of my children’s birthdays, or death days, I think of what I can do to honor their lives and remember them. Perhaps do something they might have done if they were here, like teach teenage kids about HIV/AIDS so other families don’t have to go through what we did.  

 

 

KP: Do you have any final thoughts about Warrior Mother or about the memoir writing process you’d like to share?

SC: I have had the practice of keeping a journal for many years and I’ve always recommended journaling to clients as well. Journaling helps to get the emotions and thoughts outside of oneself, to objectify the experiences. This is definitely therapeutic because continuing to carry reactions in our bodies can lead to illness. But memoir writing, where you begin describing details for a reader, adds another layer, as does moving the story or singing it in front of witnesses. All of these are ways to get inside the story, to learn more about what it has to teach. I began what is now Warrior Mother by using the improvisational tools of InterPlay. I would start with a scene or a single memory or even a sentence that someone said and, without checking my journal, I’d begin moving and talking, going with whatever remnants of the experience were still in my body. There were often discoveries or surprises as moving the story made connections I hadn’t been aware of initially. Then I would write these short snippets down.  When I shared some of these with Marc Neison, the man who is now my writing teacher he was most encouraging. I remember him advising me, “just keep doing what you’re doing.” He suggested I not go to my journals to check out details and facts too soon. And then, just as I got up to leave he said, “And keep the play in it.” That’s turned out to be the best writing advice eve

 

Here are two videos – one about InterPlay with my troupe:

 

and one, a TEDx presentation at the Andy Warhol Museum in 2010. 

 

 

Thank you, Sheila,  for sharing how you have combined your health care profession and love of dancing into  healing rituals  for yourself and others.

 

 

Warrior Mother Cover Rev 4.indd
Warrior Mother front cover

 

Warrior Mother can be ordered from Amazon, from She Writes Press or from the author’s website.

 

Author Bio and Contact Information: 

Sheila K. Collins, PhD has been a dancer, social worker, university professor, clinic director, writer, and improvisational performance artist. She currently directs the Wing & A Prayer Pittsburgh Players, an InterPlay-based improvisational performance troupe that assists human service agencies in serving noble purposes in the Pittsburgh community.

Sheila has written about the power of play, dance, and the expressive arts in her book, Stillpoint: The Dance of Selfcaring, Selfhealing, a playbook for people who do caring work and on her blog, Dancing With Everything which is on her website, sheilakcollins.com.

– See more here

Twitter @SheilaKCollins

Facebook: Dancing with Everything

 

How about you? Have you discovered your own pathway to healing?

 

Sheila will give away a copy of Warrior Mother: Fierce Love, Unbearable Loss and Rituals That Heal to a commenter whose name will be selected in a random drawing.

 

We’d love to hear from you . Please leave your comments below~

 

 

Announcements: 

Congratulations Janet Givens!  Your name was selected in a random drawing to receive a copy of Cheryl Stahe’s book,Slices of Life: The Art and Craft of Memoir Writing.

Congratulations Louise Carlini! Your name was selected to receive A Southern Place by Elaine Drennon Little.

 

 

Next Week: Memoir Writer Sherrey Meyer will discuss: ” How to Review a Book in Eight Easy Steps”

 

 

 

 

 

 

Finding Peace Through Memoir Writing: An Interview with Karen Levy

Posted by Kathleen Pooler/@kathypooler with Karen Levy/@Homeboundpub

 

“A man travels the world over in search of what he needs and returns home to find it.” George Moore

 

I am very pleased to feature Memoir Author Karen Levy in this guest interview about finding peace through memoir writing. Karen and I met when her publisher at Homebound Publications, Leslie Browning contacted me to do a review of her newly released memoir, My Father’s Gardens.

When I finished reading her memoir, the main thought that surfaced was how memoir writing can help one find peace. My Father’s Gardens is a story of a young girl who comes of age in two languages, and on two shores, between warring parents and rules that change depending on the landscape and the proximity to her mother. It is a gripping story of heartache, conflict and ultimate transformation. My reviews can be found on Amazon and Goodreads.

Welcome , Karen!

DSC00594
Memoir Author Karen Levy

 

 

KP: You have a very compelling story, Karen, of moving between Israel and America every few years while you were growing up, based upon your mother’s whims. When did you decide to write about it? What was it like for you to resurrect painful memories?

 

KL: The moving was due partially to whim and partially to my father’s work, but my mother suffered bouts of nostalgia that pulled us away from America when she missed Israel and towards America when she tired of Israel. Leaving was always accompanied by heartache, and it was frequent enough to become a familiar, somewhat exciting but also dreaded emotion. At the same time, that gypsy life became second nature, so staying in one location for lengthy periods of time while appealing, was also unfamiliar and when it became quite obvious that America had become permanent, once I married and had children here, there was a restlessness that I needed to handle in some way. And writing about it allowed me to travel great distances in my mind and on paper and give voice to emotions I was uncomfortable or incapable of expressing out loud. So while painful, it was also a release.

 

KP:  Did you keep a journal when you were younger?  If not, how were you able to resurrect so many memories in such vivid detail?

 

KL: I had a few diaries which I was very excited to go through once I decided to write, since I thought they would be a treasure trove of information. Yet they were quite disappointing and probably one of the dullest reads a teenage diary has ever afforded. They seemed to be more an account of daily activities instead of thoughts and emotions, they switched languages and started and stopped whenever we moved. And I believe that at some point I had the notion that my mother was reading them, so that may very well be why they contain absolutely nothing that reveals what I was actually doing or thinking beyond the very superficial. In other words, they were pretty useless sources of information. So I began to ask questions of anyone who was willing to dredge up the past, of which few people were. Fortunately I recall scents and textures and sounds quite vividly. I seem to embed places in my mind, how Jerusalem stone feels beneath my fingers, what an Israeli morning sounds like, how a California summer evening smells. I inhale locations.

 

KP: Your unique voice comes through and your writing has a lyrical tone to it. How did you find your voice?

 

KL: I’d like to think that it found me. I stopped trying to be someone else and allowed myself to be nothing other than who I am. The writing, like me, speaks its mind in as honest a way as it can, and I realized  that I appreciated other writers who took risks and spoke from the heart. It feels more satisfying to read and write that kind of voice.

 

KP:  You structured your memoir as a series of vignettes, very effectively I will add. How did you decide on this structure?

 

KL: I came across this style of writing in Sandra Cisneros’ book, The House on Mango Street, and I remember thinking to myself that I could do that, unlike full-fledged novels that seemed, and still do, like a daunting challenge to take on. Writing in what I like to think as snapshots, gives the overall effect of looking through a photo album at someone’s life, and listening to a story that is attached to each picture. Part of me also thought that it would be easier that way, soon to find out that getting the conclusion just right for each vignette was not as simple as it seemed.

 

KP:  What is the main message you want to convey in your memoir?

 

KL:  My quest has always been to find home, to find a place where I belong, and through this writing and from experience, I discovered that home can be found in more than one place, and among certain people, as well. For the longest time I thought I had to make a choice but it doesn’t work that way. Both countries have made me feel at home in different ways. This desire is not mine alone. I believe many of us need to know when and how we will be able to tell that we’ve arrived where we belong.

 

KP: You take us on a journey of self-discovery and ultimately to a point where you have reconciled the conflicts of your past. Did writing this memoir help you find that sense of peace?

 

KL: I believe it has to a certain extent. Because of this duality that has always been part of my life, there will forever be an underlying restlessness. My heart and mind are always in two different places at the same time, but overall, that discovery that I didn’t need to choose between them, that I could love both, was a relief. And writing about it all certainly allowed me to figure it out by forcing my hand in a sense, to examine so many pieces of my life.

 

KP: Do you have any memoir writing tips you’d like to share with us?

 

KL: Try to find a theme around which the information will revolve, otherwise you might feel as if you need to tell your audience everything, and that isn’t necessary. Be as honest and authentic as you can. Be yourself. If writing comes from the heart it will reach an audience.

 

ps_2012_07_15___09_11_47
Author, age 2 , with her father in Michigan

 

 

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My Father’s Garden by Karen Levy

My Father’s Gardens can be ordered from Amazon or Homebound Publications

 

 ***

Author’s Bio:

Karen Levy is an Israeli-American writer. Born in Israel, Levy spent most of her childhood traveling between her native land and the United States. Commuting between these two countries and having a keen eye for detail have afforded Levy the knowledge necessary to recount the immigrant experience in a very candid style. Following her military service, Levy pursued her studies in the United States where she earned a B.A. in Comparative Literature from the University of California at Davis, and an M.A. in English/Creative Writing from Sacramento State University where she teaches composition and interpretation of literature.  Her work has appeared in Welter Magazine, So to Speak, the Blue Moon and The Meadow. She lives in Davis, California with her husband and two children.

 

 

How about you? Has writing helped you to find peace?

 

Karen has graciously agreed to give a way a copy of her memoir to a commenter whose name will be selected in a random drawing

 

We’d love to hear from you. Please leave your comments or questions below~

 

 

Next Week:  “The Role of Faith in Finding Freedom From Domestic Abuse: An Interview”

When Your Story Involves Making History: An Interview with Memoir Author Lorenzo Martinez

Posted by Kathleen Pooler/@kathypooler

” The history of every country begins in the heart of a man or woman.” Willa Cather

I am very pleased to feature Memoir Author Lorenzo Martinez in this interview about his upcoming memoir. The working title is “From Cuba to Freedom.”  Lorenzo and I met on The National Association of Memoir Writer’s Facebook members only group.

I am fascinated by his story of a young boy leaving his homeland as part of Operation Pedro Pan, 1960-1962. Lorenzo has a varied and rich background to share with us today, including musical contributions to the Captain Kangaroo TV show. That certainly takes me back in time.

Welcome, Lorenzo!

Lorenzo Pablo Martinez, Author, Composer and  Pianist
Lorenzo Pablo Martinez, Author, Composer and Pianist

 

KP: Your memoir deals with your participation in Operation Pedro Pan, a program that helped Cuban minors come to the United States without their parents between 1960 and 1962. In researching Operation Pedro Pan, I learned that it was created by The Catholic Welfare Bureau at the request of Cuban parents to provide an opportunity for them to send their children to Miami to avoid Marxist-Leninist indoctrination. The history itself is fascinating. What made you decide to write a memoir about it?

 

LM This was a defining moment in my life. It turned my life upside down but opened up many opportunities for me as well. Everything I am today sprung from that experience.  I always knew that someday I would write about it. We were getting close to the fiftieth anniversary of the Pedro Pan program, a historic moment that I had been a part of.  I realized that it was now or never.

 

KP: I am envisioning how difficult it must have been for both the parents and the children to leave each other.  There must be many stories related to this historical event. Tell us a little about your memoir and how you decided on what stories to tell. What is your main theme?

 

LM: The Pedro Pan children came to this country believing their separation from their families would be a short one. Our “job” was to apply for our parents’ visas and to bring them over until we could return to Cuba together. It was a common belief that “Fidel would not last long.” The Cuban Missile Crisis, however, changed everything. Our parents were stuck in Cuba. Would we ever see them again? Some Pedro Pans never did.  I decided to write about the period of waiting for my parents to join me, which took many years. Many years of crying for Cuba. Many years of shattered dreams. Many years of trying to find my way. Of learning who I was. Those struggles defined the theme of my book: “accepting your past before creating your future.”

 

KP: What impact has writing your memoir had on you? In particular, how did you get through writing about the difficult parts, such as leaving your parents or adjusting to foreign country?

 

LM: It was an emotional experience. By the time I started writing about it, my parents had both died. Writing brought all the heartaches of that separation to the fore, a separation that their death made so final. There were many nights of writing through the tears. And thinking I would never be able to get through it. Reliving those moments, however, made me realize how strong I was during the time I was writing about, and how that same strength helped me at other times in my life.

 

KP: Your credentials include musician , composer, author of children’s books, overseeing communication and marketing for an international organizations in education, health and the arts. How have these roles prepared you for writing your memoir?

 

LM: it’s been said if you want to be a writer, you have to “live life.”  Everything I did, prepared me for writing my memoir. Music is very much a part of my memoir, because I had left a promising future in Cuba as a pianist and this is sprinkled throughout my manuscript. I gave up a music scholarship and performances that were already scheduled when I came to this country. Having books of children’s songs published by traditional music publishers gave me experience with agents and traditional publishing that has been invaluable in working with my agent now and pursuing the traditional publishing route for my memoir. Overseeing communication and marketing departments for various international organizations has prepared me to deal with the new world of publishing in which an author has to be involved in his own marketing and publicity.

 

 

KP: You are currently working with an agent who has been submitting your manuscript to editors since September, 2012. You mentioned that you have received positive feedback but no tangible deals yet. Have you considered other publishing options, such as self-publishing?

 

LM: I am going the traditional way for now, particularly since so much of the feedback has been positive. Because of my experience with traditional music publishing, I’ve decided to continue along this path. Self-publishing is still an option, and I will consider it once all the traditional avenues have been exhausted.

 

KP: What memoir writing and publishing tips would you like to share for those of us in various stages of memoir writing?

 

LM: Never give up. There will be times when you wonder what you’re doing. And why. That’s the time to ignore the negative voice and keep writing.  I used to trick myself saying, “You don’t have to finish this book, just finish this one paragraph, or this one section, then you can quit.” Of course, I never gave up. I believe it is important to have feedback from people you trust. Their feedback is crucial during various stages of writing. The most important thing, however, is that you trust yourself and allow yourself the doubts that will creep in along the way. Eventually, you’ll find yourself crossing the “finish line.”

 

 

KP: Thank you for sharing your heartfelt story with us, Lorenzo. You have shown us how facing the pain of the past can help us become strengthened for the future. I anxiously await the publication of your memoir and I’m sure I’m not alone in that feeling. 

 

Author’s Bio:

Born in Cuba, Lorenzo Pablo Martinez was part of Operation Pedro Pan, a secretive mass exodus of children fleeing the Castro regime that landed in America between 1960 and 1962. He holds a master’s in piano performance from the Manhattan School of Music and a doctorate in music education from Teachers College, Columbia University. As a pianist, he has appeared in recitals and on radio and television. Also a prolific composer, his music has been performed nationally and at international festivals. The television show Captain Kangaroo featured some of his works, and for Group Soup, a children’s book published by Viking, he contributed the title song. In addition, a book of his children’s songs, The Circus was published by Clarus Music Ltd.

Mr. Martinez has published a children’s story, The Ballerina and the Peanut Butter and Jelly Sandwich, and has recently completed a memoir of his Pedro Pan experience that is awaiting publication; he’s currently working on a series of bilingual stories for children and a Young Adult mystery novel.

 

He can be contacted at:

(blog):  www.lorenzo-martinez.com

(Email): fadoremi2003@yahoo.com

(Facebook): Lorenzo Martinez

(Twitter): @lmpartin

 

How about you? Has your story ever involved making history?

 

Lorenzo will give away a free copy of his children’s book, “The Ballerina and the Peanut Butter and Jelly Sandwich” to a random commenter.

 

We’d love to hear from you . Please leave your comments below~

 

Announcement: Congratulations to  Paula!  Your name was selected in a random drawing to receive a free copy of Linda Joy Myers’ memoir, Don’t Call Me Mother: A Daughter’s Journey From Abandonment to Forgiveness.”

 

This Week: I am also over at Lorenzo’s blog with a guest post, ” Defining Moment: Where Will Your Memoir Begin?”

 

Next Week:  “Finding  My Hope in Philly: A Memoir Moment”

 

 

 

 

Re-visioning Memoir: An Interview with Linda Joy Myers

Posted by Kathleen Pooler/@kathypooler

” We don’t know who we are until we see what we can do” Martha Grimes, Writer’s Handbook

I am very happy to welcome back Linda Joy Myers in this interview to discuss the recent launch of her re-visioned memoir, Don’t Call Me Mother: A Daughter’s Journey From Abandonment to Forgiveness and the healing journey she took to  reveal the story that needed to be revisited. My reviews can be found on Amazon and Goodreads.

Welcome back, Linda Joy!

Linda Joy Myers,PhD
Linda Joy Myers,PhD

 

KP: I find it fascinating that the memoir you wrote seven years ago seemed to beckon you to return to it. In your updated version of your memoir, Don’t Call Me Mother, you take us deeper into your story of being abandoned by your mother and reflect on the impact that has on you and your family today. What made you decide to expand on your original memoir rather than write a separate memoir- the same title with a different subtitle?

 

LJM: I spent about 10 years writing this memoir, beginning two decades ago. The story of my mother and grandmother, the tangled threads, research on Ancestry.com and the way it still fascinates me is like a kind of addiction—I could be tempted to keep going over the same territory if I wrote a whole new book about them. I want to write about men and my father next, and I want to publish my WWII novel. I felt the stories in the Afterword were really important to work on and share as part of the original story, as they loop back to the themes. I continued my journey with the material in Don’t Call Me Mother without getting lost in the story. I’m trying to move forward!

 

KP:  Since a memoir reflects a slice of your life defined by a specific time period, it makes sense that one’s story does change over time. What are the main factors that led to your decision to go deeper into your story?

 

LJM: In one story, I pick up the thread of my time with Vera, the year I’m alone in a home that was abusive and scary. In 2003, I decided to face the shadowy fears that had stayed with me all my life and I met her children again for the first time since I was five, a skinny, sick, and frightened child. I hoped that by doing so I’d stop having the bad dreams that could still haunt me. Through meeting them, I learned about my own courage, and how we can find a new perspective through living—and writing beyond the original wounds. I learned about forgiveness—it’s a gift, and we don’t always plan it. My point is to show how we can continue to learn from our stories, and if we share this new knowledge, we can help others understand more deeply the power of transformation that we can manifest in our lives.

 

KP:  In your updated version, you take us through your painstaking process of healing, especially facing your relatives, in a way that makes the reader feel the pain of rejection. What advice would you give others who are facing painful realities as they write their memoir?

 

LJM: Well, first we have to find ways to bear the grief and sorrow that come when we get a shock of recognition about “the way things are,” and how different they are than we wanted them to be. In the second story in the Afterword, I find out that the Iowa extended family, whom I’d seen as a buffer and a way to have some kind of family, judged the fact that I wrote a memoir, and further, they were a bit paranoid about what I wrote—and didn’t write—about them. In a moment of insight during an intense encounter, I saw how much of an outsider I was. My grandmother never “belonged” in that family—she had a different father than her 6 brothers and sisters—he died before she was born. She moved to the big city of Chicago, and took ships to England. My mother was always hysterical and “eccentric.” And I lived in that crazy state of California, I was a therapist, I too went to England, but not on ships! And I was always poking around to find out more about the history of the family. When you grow up with people who lie all the time, the truth has premium value—at least to me. In that insightful moment when I finally see that I’m an outsider, that we always were, and that I’d left out truths in the first version of the memoir so I could preserve this family connection, I was stabbed with grief. I cried and cried as I bathed my feet for the last time in the Mississippi River, as I sat in the rain by my mother’s grave and drove by the houses where I’d spent my childhood summers. The grief, the insight, and the falling away of denial freed me from my false beliefs and the need to pretend who I was or wasn’t. Finally, I was myself and that was good enough. I thought it was an important, and vulnerable, story to share.

 

KP: You teach weaving the light and dark moments in and you do that very well throughout this memoir, leaving the reader with a sense of hope in healing despite the reality of the circumstances. In the end, you share a powerful message of not only forgiveness for those who have hurt you but also self-forgiveness. What role did writing this version play in achieving this forgiveness?

 

LJM: Even though I’ve taught writing as healing all these years since the first edition was done, I’m still amazed and moved by how powerful writing the truth is! Again, with memoir, we’re living the story and while we’re living it, we’re also trying to find ways to put language around it, finding the scenes that can capture in some small way how it is for us. I wrote several versions of these stories but it helps to have time between the event and the writing. My later versions were much better! But the story about me and my daughter I wrote right after we lived it because I didn’t want to forget one single thing that happened. When she read it she said, “Yes, that’s what happened that day.” What a blessing! It was a full circle between us, mother and daughter. We are the first in several generations to share our love freely, have sincere even if difficult talks without angry outbursts—at least most of the time—and my grand-daughter is growing up without abandonment fears. I’m happy!

 

KP: It seems to me that writing this version has been a gift to yourself and your family. You write in your preface, “It is a testament to my belief that, under all the hurt and anger, love is buried deep inside each person.” This insight is also a gift to your reader. When in your writing process did you realize that your story was transformational both for yourself and your reader? Did it evolve as you wrote or were you clear from the start that your message would have the potential to help others as well as yourself?

 

LJM: Just like the saying, “No tears in the writer, no tears in the reader,” if we feel transformed and are able to present the evidence in scenes and use language to shape feelings and perceptions, then the reader will feel it too. It’s a writing challenge then, to keep shaping and choosing and smoothing until it’s seamless. I have seen the power of writing to heal the writer and the reader so often that it’s a given in my world.

 

KP:  Thank you, Linda Joy, for sharing your thoughts on how re-visioning your memoir led you to a deeper level of healing.

Your mantra, “Be brave.Write your story” is captured in your memoir.

 

 

Wheat fields at night
Wheat fields at night

 

Author’s Bio:

Linda Joy Myers, Ph.D., MFA, is the President and founder of the National Association of Memoir Writers, an Instructor at Writers Digest, Co-President of the Women’s National Book Association, San Francisco branch. Linda is the author of The Power of Memoir—How to Write Your Healing StoryBecoming Whole, and Don’t Call Me Mother, which won the BAIPA Gold Medal prize. Linda’s next book is Truth or Lie: On the Cusp of Memoir and Fiction. She gives workshops through NAMW, Story Circle, and the Therapeutic Writing Institute, and helps people capture their stories through coaching and online workshops. www.namw.org.  Blog: http://memoriesandmemoirs.com; Twitter @memoirguru

Her re-visioned memoir can be ordered on Amazon:

 

Don't Call Me Mother Book Cover, 2013
Don’t Call Me Mother Book Cover, 2013

 

How about you? Have you written a memoir that you need to revisit? How do you feel about reading a re-visioned memoir?

Linda Joy will give away a copy of her memoir to a random commenter.

 

We’d love to hear your thoughts. Please leave your comments below~

 

.

 This week: I’m also for at Cheryl Stahle’s blog, Your Best Writing Group with a memoir vignette “Summer Day Along the Hudson River…Nothing Quite Like It” as part of her March Memoir Madness series.

 

 Next Week: Memoir Author Lorenzo Martinez will discuss his upcoming memoir about participating in the Operation Pedro Pan project of the 1960s.

 

 

Writing My Memoir Helped Me Find True Love: A Valentine Guest Post by Memoir Author Andrea Lewis

A Guest Post by Andrea Lewis/@dredrelew

“Whatever it takes to break your heart and wake you up is grace”Mark Matousek, Sex Death Enlightenment: A True Story

"Valentine Heart" by Caraman/dreamstimefree
“Valentine Heart” by Caraman/dreamstimefree

I am very pleased to feature Memoir Author Andrea Lewis in this guest post on finding self-love. I can’t think of a better time to discuss self-love than during the week of Valentine’s Day.

Andrea and I met during a #JournalChatLive on Twitter with host Dawn Herring. We have been following one another ever since. Her memoir is filled with drama, emotional turmoil and an inspiration to never give up. Here are my reviews of Andrea’s memoir, Dramaville is Not a Place;It’s a State of Mind on Amazon, Goodreads and Smashwords.

Welcome , Andrea!

Memoir Author Andrea Lewis
Memoir Author Andrea Lewis

The last thing I need to let go of is my job.

This was my journal entry on August, 15, 2010. I was having a week from hell at the Office and I was completely fed up, not only in my professional life but my personal life.

I had just spent the last three years in a toxic relationship that regurgitated my past. It resulted in me severing ties with the guy as well as with my family. I “thought” I had finally tossed my emotional baggage to the curb.

Yet I was still unhappy.

Two weeks later after my journal entry, I was meditating and I heard a whisper: you need to write your story. I was not exactly thrilled about it and I vowed that there was no way, no how I was going to exhume the past again.

But God works in mysterious ways.

Shortly after my epiphany I had some friends over and one of my friends randomly said, “I think you should write a book.” The following day something within me awakened and my muse came to life.

I had no outline or even any idea what exactly I was going to write about my story. I just happened to start in the middle of my life and from that point on, the words kept flowing and I was flooded with a slew of memories.

What I did not anticipate was how my life turned topsy-turvy. The Office politics seemed amplified, long-standing friendships were being rattled, and I was being stalked by my ex-boyfriend. I was physically, mentally and spiritually drained.

The past thirty-nine years of my roller-coaster life was finally catching up to me and months into writing my memoir, I went on stress-leave from my job.

It was time for me to heal from the self-destructive path I had been on that included a cycle with broken relationships, partying, excessive drinking and binge eating.

I also confronted my childhood trauma of sexual and physical abuse I endured at the hands of my half-brother. I revisited my brother’s suicide as well as unresolved issues from my divorce.

But I didn’t do it alone.

Thankfully I had regular appointments with my therapist and weekly coffee dates with a friend. I journaled daily, I meditated, practiced yoga and walked outdoors in nature. I also screamed in frustration, cried and punched pillows in order to channel the intense emotions I experienced.

Though therapeutic, there were numerous times I wanted to give up, but I didn’t. I believed in healing myself, I was going to help others by sharing my story. Most importantly I learned some very valuable lessons: self-love, self-acceptance and to take responsibility for my life, instead of blaming others for my unhappiness.

In the end, I stopped trying to escape from the woman looking back at me in the mirror and found my one true love. It was me all along.

All I had to do was love me and honor my soul.

Dramaville Book Cover
Dramaville Book Cover

Dramaville may be ordered here.

Giveaway: The name of a random commenter will be picked to win a free copy of Andrea’s memoir Dramaville on Sunday 2/17. The winner will be notified via email.

Biography

Andrea Lewis is the founder of Independently Fine, a website offering motivational quotes geared to empowering women and for men who embrace them.

She has guest blogged her story on the Spirited Woman website and her inspirational message has been featured in the Wild Sister e-magazine.

Andrea Lewis lives in Ottawa, Ontario, Canada. Connect with Andrea at http://www.andreamlewis.com, on Twitter@dredrelew, Andrea Lewis-Author Facebook page, Pinterest,Goodreads.

 

 

Thank you , Andrea, for sharing how writing your memoir has helped you to find your one true love, yourself. Your story inspires us all to write our way to self-love. I also appreciate how journaling through your experiences helped you get started on writing your story.

On this Valentine’s Day, 2013, may we all take a lead from Andrea and find our own self-love.

heart/ flickr creative commons
heart/ flickr creative commons

 

How about you? Has writing helped you to understand, accept and and love yourself?

 

We’d love to hear from you. Please leave your comments below~

 

This Week: I’m also over at Belinda Nicoll’s blog My Rite of Passage with a guest post on her “Finding the Gist of Your Story Series: My Memoir-In -Progress”

 

Next Week: “Preserving My Dad’s Stories: A Memoir Moment”