Lessons From A Dancing Life: An Interview with Memoir Author Sheila K.Collins

Posted by Kathleen Pooler/@kathypooler with Sheila K.Collins/@SheilaKCollins

 

“One must still have chaos in oneself to be able to give birth to a dancing star”  Friedrich Nietzche, Philosopher

 

dwe-logo Sheila Collins
DWE- logo from Sheila’s website

I am very pleased to feature Memoir Author Sheila K. Collins in this interview about her newly released memoir, Warrior Mother: Fierce Love, Unbearable Loss and Rituals that Heal. Sheila and I met when her literary publicist Stephanie Barko contacted me to review and participate in the launch of Warrior Mother. A lucky commenter whose name will be selected in a random drawing will receive a copy of her memoir.

Warrior Mother is the true story of a mother’s fierce love and determination, and her willingness to go outside the bounds of ordinary when two of her three adult children are diagnosed with and succumb to life-threatening diseases. My reviews can be found on Amazon and Goodreads.

Sheila calls herself a “dancing social worker who practices finding the words to write about it all” Her mission is to encourage, inspire and enliven women to dance with everything.
Here is The Warrior Mother book trailer:

We will explore how dancing helped her to write her memoir and how writing her memoir helped her to heal from the unfathomable losses of her two adult children.

Welcome, Sheila!

Sheila Flyer Picture
Author and Dancer Sheila K Collins

 

KP:  You have developed a unique way of achieving peace and healing in your life through your dancing rituals. In Warrior Mother you show how these rituals helped you to heal. When did you discover dancing to be a pathway to healing?

SC: It seems I’ve always known that dancing put me in a more centered and grounded place. Even my children noticed, when they were small that when I came back home from a dance class or performance, I was happier and so glad to see them. If I would get out of sorts or impatient they would sometimes remind me, “It’s time for you to go dancing again Mom.”

 

KP:  In your preface, you share how you made a conscious decision to step back into the pain of losing two of your three adult children to horrific diseases. What made you decide to tell your story?

 

SC: When I was a professor of social work, I designed the health care curriculum and my students did field placements in hospitals and other health care setting.  As a therapist for thirty years I helped many families deal with the pain of major diagnoses, illness and loss. So I was familiar with the professional literature on these topics. But when it was happening to me, and members of my own family, there was so much I didn’t know, so much that no one speaks or writes about. I was determined to deal with some of those themes, to tell those stories. Also, my daughter intended to tell her story. “When this is all over,” she would say, “I will speak about this and about what God has done for me.” Since she wasn’t able to tell her story, I felt it was even more important for me to write my version of what happened to us: the tough parts, the funny parts, and the amazing grace that gave us the strength to live fully through it all.

 

 

KP: As you state on your website, you “use dancing as a metaphor and a vehicle” for dealing with the stressors of life and for living life fully. Please share how dancing helped you face and endure the devastating illnesses and losses of your two adult children, Ken and Corinne.

SC: Well, first there is the metaphor. I asked myself, what makes it a dance instead of just a bunch of movements, a series of calisthenics? It’s the transitions that tie one movement into the next, creating a flow, a sense of connection and inevitability. A dancer puts her whole self into the movement, without resistance, and becomes one with the dance. Relating that to my experiences with my two children through their illnesses and deaths, as a dancer I knew to stay present in my body, feel the resistance and the pain, and then as soon as possible, to say yes to what life was demanding of me. Also a big part of my story tells about being held up by the love and support of others. As a former member of the chorus, or corps de ballet, I learned early, I’m just one small part of any performance piece. It’s how it all fits together that makes the dance, that makes the work art.

 

 

KP: You call yourself “a dancing social worker” which, to me, means you are combining your many skills to face life’s challenges. How has being in the health care field as a social worker impacted—positively or negatively– your ability to deal with your painful losses?

SC: Sometimes being in the health care field can make things harder because you have higher expectations than the general public. My daughter was a physical therapist and as such, she was a cheerleader for her patients. She always encouraged them and never wanted anyone to take their hope away. She was shocked to see that some physicians didn’t subscribe to that philosophy. I had my own issue with the hospital social worker who handed us a five  page list of apartments to lease when Corinne’s treatment required us to spend the summer in Houston. We could have gotten that from the phone book, so of course I thought she should have taken more time to actually help us find a place. My mother, who was a nurse, always felt that nurses and doctors make terrible patients or family members of patients, because they know two much about how things can go wrong with a particular treatment. But now with the Internet, we can all read about all the things that can go wrong, along with the things that can go right.     

 

KP: What are the main messages you want to convey to your readers in Warrior Mother?

SC: My daughter told her five-year-old son, when she had to explain to him about the loss of the twins she was carrying, that there are happy times and sad times. And that “the sad times are shorter and the happy times are longer.” I want people to know that they are connected. Just as happy events can come with stressful challenges, (a new baby, preparing for a wedding) so is the opposite the case, (going through an illness, dealing with death.) The tough stuff in my life also brought precious gifts I could never have imagined beforehand. The experience I wrote about in the book about being with my friend Rose in the hospital during the last fourteen days of her life turned out to be a sacred holy time. All those experiences were useful later to help get me through my experiences with my children; the dancing, singing, storytelling, meditating rituals, and the support and sharing of community.

 

 

KP: In the afterword, you state that you feel you were able to share more special times with your adult children due to their illnesses than if they had been healthy and busy in their own lives. This strikes me as being an incredibly brave and positive attitude to attain. How have you been able to maintain your positive attitude?

SC: I feel I am responsible for my own happiness. If my children where still here in this life I would not want them to worry about me or feel obligated to take care of me. And after seeing how hard my children each fought for the chance to have more life, I don’t want to dishonor them by moping around in self pity, wasting the additional years of life I’ve been given. I think more about what there is left to do. On the anniversaries of my children’s birthdays, or death days, I think of what I can do to honor their lives and remember them. Perhaps do something they might have done if they were here, like teach teenage kids about HIV/AIDS so other families don’t have to go through what we did.  

 

 

KP: Do you have any final thoughts about Warrior Mother or about the memoir writing process you’d like to share?

SC: I have had the practice of keeping a journal for many years and I’ve always recommended journaling to clients as well. Journaling helps to get the emotions and thoughts outside of oneself, to objectify the experiences. This is definitely therapeutic because continuing to carry reactions in our bodies can lead to illness. But memoir writing, where you begin describing details for a reader, adds another layer, as does moving the story or singing it in front of witnesses. All of these are ways to get inside the story, to learn more about what it has to teach. I began what is now Warrior Mother by using the improvisational tools of InterPlay. I would start with a scene or a single memory or even a sentence that someone said and, without checking my journal, I’d begin moving and talking, going with whatever remnants of the experience were still in my body. There were often discoveries or surprises as moving the story made connections I hadn’t been aware of initially. Then I would write these short snippets down.  When I shared some of these with Marc Neison, the man who is now my writing teacher he was most encouraging. I remember him advising me, “just keep doing what you’re doing.” He suggested I not go to my journals to check out details and facts too soon. And then, just as I got up to leave he said, “And keep the play in it.” That’s turned out to be the best writing advice eve

 

Here are two videos – one about InterPlay with my troupe:

 

and one, a TEDx presentation at the Andy Warhol Museum in 2010. 

 

 

Thank you, Sheila,  for sharing how you have combined your health care profession and love of dancing into  healing rituals  for yourself and others.

 

 

Warrior Mother Cover Rev 4.indd
Warrior Mother front cover

 

Warrior Mother can be ordered from Amazon, from She Writes Press or from the author’s website.

 

Author Bio and Contact Information: 

Sheila K. Collins, PhD has been a dancer, social worker, university professor, clinic director, writer, and improvisational performance artist. She currently directs the Wing & A Prayer Pittsburgh Players, an InterPlay-based improvisational performance troupe that assists human service agencies in serving noble purposes in the Pittsburgh community.

Sheila has written about the power of play, dance, and the expressive arts in her book, Stillpoint: The Dance of Selfcaring, Selfhealing, a playbook for people who do caring work and on her blog, Dancing With Everything which is on her website, sheilakcollins.com.

– See more here

Twitter @SheilaKCollins

Facebook: Dancing with Everything

 

How about you? Have you discovered your own pathway to healing?

 

Sheila will give away a copy of Warrior Mother: Fierce Love, Unbearable Loss and Rituals That Heal to a commenter whose name will be selected in a random drawing.

 

We’d love to hear from you . Please leave your comments below~

 

 

Announcements: 

Congratulations Janet Givens!  Your name was selected in a random drawing to receive a copy of Cheryl Stahe’s book,Slices of Life: The Art and Craft of Memoir Writing.

Congratulations Louise Carlini! Your name was selected to receive A Southern Place by Elaine Drennon Little.

 

 

Next Week: Memoir Writer Sherrey Meyer will discuss: ” How to Review a Book in Eight Easy Steps”

 

 

 

 

 

 

WOW! Women on Writing Book Tour: A Review of A Southern Place by Elaine Drennon Little

Posted by Kathleen Pooler/@kathypooler

 

I am very pleased to be participating in WOW! Women on Writing’s book tour and giveaway with a review of A Southern Place by Elaine Drennon Little. Even though the focus of my blog is on memoir writing, I strongly believe that reading fiction helps memoir writers hone their craft. We all have to use the same techniques of transporting our readers into our world through storytelling.

 

A Southern Place compliments of WOW! Women on Writing
A Southern Place compliments of WOW! Women on Writing

Official Book Synopsis:

Dates: August 19, 2013 – September 18, 2013

 

Title: A Southern Place

Author: Elaine Drennon Little

Publisher: WiDo Publishing

Genre: Southern Fiction

Synopsis: Mary Jane Hatcher–everyone calls her Mojo–is beat up bad. She’s in the ICU of Phoebe Putney, the largest hospital in South Georgia, barely able to talk. How Mojo goes from being that skinny little girl in Nolan, a small forgotten town along the Flint River, to the young woman now fighting for her life, is where this story begins and ends.

Mojo, her mama Delores and her Uncle Calvin Mullinax, like most folks in Nolan, have just tried to make the best of it. Of course, people aren’t always what they seem, and Phil Foster–the handsome, spoiled son of the richest man in the county–is no exception.

 

As the story of the Mullinax family unfolds, Mojo discovers a family’s legacy can be many things: a piece of earth, a familiar dwelling, a shared bond. And although she doesn’t know why she feels such a bond with Phil Foster, it is there all the same, family or not. And she likes to think we all have us a fresh start. Like her mama always said, the past is all just water under the bridge. Mojo, after going to hell and back, finally comes to understand what that means.

 

My review…

 

From the first page when a young woman named  MoJo is beaten and fighting for her life in ICU, I was pulled into this story and compelled to keep turning the pages to learn more about what led up to this traumatic circumstance. Through the voice of the sheriff Wally Purvis, the only link to her past, we are introduced to MoJo’s grandparents, mother , uncle, and to the dynamic and culture of the deep South. We begin the story behind the story of this young woman and the family she came from.

We then hear MoJo’s reflections on her Mama, Delores, and her Mama’s brother, Uncle Cal. We come to know them as a poor working class family whose family bonds and work ethic are a source of strength. But I still wondered where this was all going to lead so I kept reading, getting more involved with each chapter.

Little’s writing style is engaging and poignant. The characters are believable and authentic and she captures their vulnerabilities and strengths in a way that makes them come alive on the page. Dialect is difficult to master in prose but Little does it with ease and finesse. We are not reading a story, we are experiencing their hopes and longings and we begin caring about them as people. The author’s description of the tiny town of Nolan where this story takes place are vivid and make you feel like you are right there as she captures the life and times of the working poor in the deep South . We also experience the disparities and injustices between the haves and the have-nots.

The story structure is set over decades and ties multiple story lines together as Little foreshadows challenges in the characters’ lives. All the character’s lives are intertwined in a way that drives the narrative forward and keeps the reader in suspense. I never felt confused about so many story lines, but rather I felt compelled to know more about each character and how they impacted on one another. Uncle Cal stands out as a hero who despite his personal demons and physical limitations of losing an arm in a farm accident, sacrifices for his family, caring for his sister and niece to the best of his ability. But MoJo is the heroine for in the end she redeems the mistakes of the generation before her, breaking the cycle of poverty and suffering. She carries on with the resilience and determination of the family before her.

A Southern Location is a  stunning debut novel that captures the essence of the working poor in the Deep South. This is a book I would read again. Better yet, I will echo what others have said and say I will look forward to more work from Ms. Little.

 

 

 Elaine Drennon Little Head Shot (1)

Author Elaine Drennon Little

 

About the Author:

 

Adopted at birth, Elaine lived her first twenty years on her parents’ agricultural farm in rural southern Georgia.  She was a public school music teacher for twenty-seven years, and continued to dabble with sideline interests in spite of her paid profession.  Playing in her first band at age fourteen, she seemed to almost always be involved in at least one band or another.  Elaine’s writing began in high school, publishing in local newspapers, then educational journals, then later in online fiction journals.  In 2008 she enrolled in the MFA program at Spalding University in Louisville, where upon graduation finished her second novel manuscript. Recently retiring after eleven years as a high school chorus and drama director, Elaine now lives in north Georgia with her husband, an ever-growing library of used books, and many adopted animals.

Find out more about this author by visiting her online:

Author blog: http://elainedrennonlittle.wordpress.com/

Author Facebook Page:https://www.facebook.com/elaine.d.little

 

 

I’d love to hear from you. Please leave your comments below:

 

A copy of A Southern Child will be given to a commenter whose name will be selected in a random drawing of commenters.

 

 

 

Next Week:  Memoir Author Sheila Collins will discuss “Lessons From a Dancing Life”, in conjunction with the launch of her memoir,Warrior Mother: Fierce Love, Unbearable Loss, and Rituals that Heal. Sheila will give away a copy of her memoir to a commenter whose name will be selected in a random drawing of commenters.

Writing Rants from Cheryl Stahle

Posted by Kathleen Pooler/@kathypooler with Cheryl Stahle/@yourbestwriting

 

Author’s Note: This post is  reblogged from Cheryl Stahle’s Your Best Writing Group blog, originally posted on July 11, 2013. She’s here to share how a writing rant worked to her advantage and helped her generate story ideas.

Cheryl did this guest post on Writer’s Block in September, 2012.

She is the author of Slices of Life: The Art and Craft of Memoir Writing. My reviews can be found on Amazon and Goodreads.

 

Welcome back, Cheryl!

 

CherylS_011
Author and Writing Coach Cheryl Stahle

 

Writing Rants: A Quick & Dirty Way to Clear the Air

I’m stuck…what do I try next? 

Deep in your writing soul “something” is holding your back and you need to move it in order to write. Lately, I’ve been seriously stuck and have spent hours just sitting  in front of computer screens. I’ve tried the usual tricks:

take  a break,doodle, sketch, make lists, try a new locale for writing.  Nothing has worked.

Reading has also provided me with inspiration and I love to tag those special phrases and lines on my e-reader which I want to remember.  Scrolling through those I stumbled upon one of my favorite poems, “Dream Deferred” by Langston Hughes.  I read… I thought… and the block moved just a tiny bit.  Finally anger and frustration and a whole lot of stress regarding life changes that are hitting me fast and furiously began spilling onto the page.

Rants by definition are not “pretty” writing but emotional writing that must come out before your lose your voice.  Rants can be fun to read due to the emotion that pours out in the words; an energy lies underneath the structure of a rant that takes your readers on a ride.  They can also be hurtful.

This process helps structure your rants:

1. Find your topic.  Be it something you know a lot about or in my case, a writer’s block

2. Make a list of the negative aspects of your topic

3. Find a way to take that negative brainstorm and find some positive angles to explore—what’s the meaning behind your rant?

4. Provide some balance to the negative emotion and explain or at least acknowledge other perspectives Ask yourself, “Why should others care about my rant topic?

5. And most importantly, should this rant become public?

 

In my writer’s notebooks, I tend to fold down the pages containing rants because they can be hurtful and in their purest form, they are truly uncensored writing.  But I am sharing my latest rant with you so that you can see what one looks like.  Remember, this is not edited but a free flow of words on paper:

Here is the frightening part of this rant:  you are about to read 5 minutes worth of writing.

Once these words fell onto the page, the burden I felt on my shoulder lifted and a different writer’s voice emerged.

______________________________

I hate the number 10.  It’s the number that curses hope and kills dreams.

When my son was 10, he suffered a traumatic brain injury which stole his hopes and actual chances of playing ice hockey.  He remains with us intact and amazing but the “what if” that incident on the ice never happened?  What could he have been? What a heavy load to carry alone.

I waited 10 years to file for divorce after making that heart wrenching decision.  I did so to prepare myself to have a more suitable job that would keep me closer to my son, not require global travel and would allow me to be a totally committed parent.  Ten years of my life waiting.  Ten years of dreams deferred.  I withered during those 10 years; life seeped away, I festered, angered and just tried to survive.  The challenges ahead as a single parent were great so I prepared despite the angst.

Now with an empty nest I can spread my wings and fly.  Travel.  Explore.   I’m used to being alone but with a book, the sound of an incoming tide, the setting of a tropical sun over the horizon, the 10 years of waiting so worth it.  Who am I?  Finally, I can figure that out.  Maybe I can live the dream of a writer and teacher without having to work multiple jobs.  Maybe I can stop worrying so much about curfews and SATs and college acceptance portfolios.  My son is ready for the challenges of the world. 

But 2 tens too late, I am blessed to marry the man I should have the first time.  But he didn’t ask and moved on.  20 years of waiting for him to come back.  “You’re 10 years ahead of me” as a parent I’m repeatedly told. I hear it in my sleep those haunting words as well as in the day to day of living.    My dreams deferred probably for the last time.

 I’ll be 60 before I can finally watch the sun set over the horizon at the beach free of encumbrance.  Ten more years of waiting to have the freedom I’ve craved all of these years now that my son is raised.  Most likely my last 10 years before illness and age finally slow me down will be spent waiting.

 Have these decades deferred really mattered?  Will the next 10?  My dreams now sag; a heavy load…gone, deferred.
___________________________________

 

Phew…I’m pretty angry.  But this rant needed to come out so that I can get back to my focus on writing about empty nesting for WE Magazine for Women and scheduling workshops for fall.   But now that the heat of the moment has passed, several potential topic for public writing appear:  (1)  the changing role of a parent over time; (2) living and losing dreams; (3) redefining your role as a step parent; (4) single parenting an ill child.

 

So while this rant provided some catharsis, it also showed me 4 potential topics for public writing.  By following a process, the rant contains some structure and function to help me determine if there are subjects worth further exploration.

Give ranting a try…you might be surprised by what you discover.

 

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore–
And then run?
Does it stink like rotten meat?
Or crust and sugar over–
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?

            ~Langston Hughes

Author’s Bio and contact information:

Cheryl Stahle’s  Slices of Life:  the Art and Craft of Memoir Writing is available at www.yourbestwritinggroup.com as well as Amazon and GoodReads.  The marketing plan evolves and grows every day assuming a life of its own.  You can keep up with Cheryl’s adventures on FaceBook by liking Your Best Writing Group or following her on Twitter @yourbestwriting.  Cheryl teaches English  and runs writing groups helping authors of all ages and abilities capture life stories.

***

9780983442813-frontcover-201x300 cheryl's book cover
Slices of Life: The Art and Craft of Memoir Writing

Slices of Life: The Art and Craft of Memoir Writing can be ordered on Amazon

 

Thank you Cheryl for showing us how “structuring our rants” can help us discover new directions in our writing life.

How about you? How do you clear the air? Have writing rants helped you to find topics to write about?

Cheryl will give away a copy of her book, Slices of Life: The Art and Craft of Memoir Writing to a commenter whose name will be selected in a random drawing.

We’d love to hear from you. Please leave your comments below~

This week:

 I’m also over at Paul Dorsett’s blog, Utterances of an Overcrowded Mind with “7 Tips I Have Learned About Connecting with My Purpose for Writing a Memoir.” Hope to see you there.

Saturday, 8/24: I am hosting WOW! Women on Writing‘s book tour and giveaway with a review of A Southern Place by Elaine Drennon Little.

Next Week: Memoir Author Sheila Collins will discuss “Lessons for a Dancing Life” in conjunction with the release of her memoir, Warrior Mother: Fierce Love, Unbearable Loss and Rituals that Heal. Sheila will give away a copy of her memoir to a commenter whose name will be selected in a random drawing.

Seven Lessons on Using Beta Readers During Revision

Posted by Kathleen Pooler/@kathypooler

 

“I work very hard at writing,writing and rewriting and trying to weed out the lumber.” David McCullough

 

My work-in-progress memoir, Ever Faithful to His Lead (working title) has  recently completed its second round  with beta readers.

 

I have reviewed all beta input, incorporated the revisions that fit then sent it off to a copy editor for final editing and proofing.

 

The process  has felt a little like cleaning the house in preparation for the cleaning lady.

 

Every time I look it over, I change something. Or see a typo. Or question a sentence structure.  Or notice an inconsistency in tense.

 

My gosh, when is it ever done?

 

I’ve heard from others that it is never really done even after it’s published. It seems to be human nature to hone in on our deficits.  My husband was the general contractor when our home was built. He sees every little flaw in workmanship whereas all I see is a beautiful home in the woods. When I used to sew outfits for myself, I was tuned in to all the areas I had fudged or had difficulty with ,whereas others would give me glowing feedback on how lovely the outfit was. I think the same applies to writing.

 

I know at some point it will have to be good enough and I will have to take my chances at launching it out into the world.

 

As I move along in my journey toward publication, I reflect on the following lessons I’ve learned:

1.     Connecting with my purpose for writing in the first place needs to be clear.

2.     I need to be willing to learn my craft and keep writing until it’s right.

3.     I need to be open to constructive feedback and ways to improve.

4.     I need to take all the feedback into consideration but be clear enough about my story to know what to keep and what to disregard.

5.     Beta readers can offer a wide range of feedback and suggestions from a reader’s perspective.

6       Not only do beta readers offer valuable feedback , they also feel invested in your story and in its success.

7.     Developing a system of selecting beta readers is an individual decision. Some people , like Guy Kawaski , author of APE-How to Publish a Book, reach out to hundreds of people. Others don’t  even use beta readers.

 

Here’s how I approached the beta reading process:

 

* I chose ten people from various communities I belong to, including people outside my memoir genre. I did this because a memoir  should read like a novel. Now I’ll admit to my self-promotion phobia but Joe Bunting over at Story Cartela new way for readers and authors to connect– convinced me that beta readers were essential.

The-Story-Cartel-Course-logo
The Story Cartel Course

 

The mission of Story Cartel is to “encourage writers to share their stories”.

 

I took Joe’s Story Cartel Course. Receiving honest and constructive critique on my stories turned out to be my favorite part of the course and prompted me to use beta readers.

Check out Story Cartel and see for yourself how the course helped transform 5 writers, including myself, through the “Power of Community.

Thank you, Joe and  fellow cartelistas!

 

*  I listed the areas I wanted feedback on: Readability? Does the tense work? Does it keep your attention? Are the characters believable? Is the dialogue authentic? Are the themes , narrative arc? Are you satisfied at the end?

 

In this post, What is a Beta Reader, and Why Do We Need Them?, Christian Fiction Writer Sharon A. Lavy discusses the importance of clearly spelling out expectations for your beta readers, noting that two criteria for selecting who to ask are, “those who are invested in your success and those who will be able to be honest.”

Memoir Author and Fiction Writer Carol Bodensteiner offers her insights on the beta reading process in this post,“Trusting my Baby to Beta Readers.”

 

* I asked my beta readers to focus more as a reader than an editor. They certainly could mention edits but my focus was more on general areas of pacing , flow, narrative arc, clear themes, redemption at the end. Was it a worthy read? What works, what needs work in terms of story structure?

 

The results:

 

Clear direction on what works, what needs work and how close they feel I am to being done.

 

I am very grateful to my beta readers and highly recommend incorporating them into your revision process. They have shed light on areas that I couldn’t have seen myself.

 

My beta readers, with their fresh eyes and fresh perspectives have validated for me what I am doing right and opened my mind to ways I can make my story better.

 

They are helping me move along to the finish line.

 

iStock_000018252121XSmall
United in purpose~thank you, beta readers!

Photo credit: istockphoto

 

How about you? What has your experience with beta readers been?

 

I’d love to hear your thoughts. Please leave your comments below~

 

 

Announcement: Congratulations to Mary Gottschalk.  Your name was selected to receive the anthology, Silent Embrace: Perspectives on Birth and Adoption, which includes Robin Flanigan’s essay,”Moving Close.”

 

It’s a busy week:

Tuesday, 8/20: I’ll be over at Paul Dorset’s blog, Utterances of an Overcrowded Mind, with a guest post: “7 Tips I Have Learned About Connecting with My Purpose for Writing a Memoir.” Hope to see you there!

 

Thursday, 8/22: Cheryl Stahle, Writing Coach and Author of  Slices of Life: The Art and Craft of Memoir Writing will return as a guest to discuss how “Writing Rants” helped her clear the air. Cheryl will give away a copy of her memoir resource book to a commenter whose name will be selected in a random drawing.

 

Saturday, 8/24: WOW! Women on Writing Book Review and Giveaway of A Southern Placea debut novel by Elaine Drennon Little.

 

 

 

A Woman in the Spotlight Interview by Author Winsome Campbell-Green

Posted by Kathleen Pooler/@kathypooler

“Our stories matter. We are all enriched, inspired and empowered when we share them.” My own words…

 

Winsome Campbell-Green is an author who has a passion for writing and inspiring people. I had the good fortune of meeting Winsome on LinkedIn. She is the author of  six books, including: Ten Life Changing Lessons, The Secret Rules of Self-Love,The Perks of A Positive Attitude, Fabulosity is You, High Heels in Tech: Woman, Technology and Change and her latest release, Curb Your Thoughts:How to Create the Future You Need…

Author Winsome Campbell-Green
Author Winsome Campbell-Green

My reviews of her book, Ten Life Changing Lessons can be found on Amazon and Goodreads.

Ten Life Changing Lessons by Winsome Campbell-Green
Ten Life Changing Lessons by Winsome Campbell-Green via Amazon

 

 

Today, I am honored to be interviewed by Winsome on her blog Women Beauty Purpose and Empowerment where she “celebrates women of purpose who seek to empower the lives of others with their life experiences.”

She describes her Women of Purpose Facebook page as “ an organization for professionals, Christians, moms, wives, tastemakers and many more who are too unique to categorize.” 

Winsome asks me about my two memoirs -in-progress, in this  “Woman of Purpose Spotlight” interview.

Thank you , Winsome, for the opportunity to be your guest!

 

I hope you’ll join me there and consider connecting with Winsome and her inspiring community.

Climbing Mt Kilimanjaro in the Close-Third Person: Is It Memoir?

Posted by Kathleen Pooler/@kathypooler with Robin L.Flanigan/@thekineticpen

 

“The real voyage of discovery consists not in seeking new landscapes but in having new eyes.” Marcel Proust

 

Robin L. Flanigan is an award-winning writer/editor and author who has climbed Mt Kilimanjaro. We met on Twitter when she reached out to me with this message:

“I look forward to reading more about your book. We have similar motives, though the one I’m writing is about someone else.”

In an interesting twist, she is writing the story of a fellow hiker who, after the freak death of her husband, decided to make the trip to deal with her grief and found a second chance of love. My first thought was that she was ghostwriting this woman’s harrowing story. And yet, she was there on the same journey and tells me she is writing it from “the close-third point of view.” She explains more in this interview.

Welcome , Robin!

Robin's profile pic_2 (1)

 

KP: Robin, not too many people climb Mt Kilimanjaro, the highest mountain in Tanzania. I am intrigued by this fact alone. But you have taken it one step further and decided to write about it. Tell us about your current work-in-progress. Do you have a working title?

 

RF: It has been quite the journey, literally and figuratively. Bonnie and I were both part of a group that climbed Mt. Kilimanjaro in 2008 to raise money for cancer research and awareness. For her, the trip, which took place nearly two years after her husband’s accidental death, was a symbolic triumph over hardship – a tangible way for the two-time cancer survivor to prevail over pain once more. Welcoming a new man into her life during the process was a bonus. Her inspirational, moving story of faith, courage and conviction offers an unflinching look at what it can take to move forward and, ultimately, to heal.

People often ask whether I have a working title. I don’t. I feel like the right one is going to hit me once I finish writing and read the book, all the way through, for the first time, beginning to end.

 

 

KP: How did this project come to be? What is the story behind the story?

 

RF: I still get goosebumps when I tell this story. One Saturday over breakfast, I said to my husband, “I want to write a book.” I’d tinkered with the idea before, but strictly with memoir, and the truth was I’d lost interest in a book about myself.

“Why don’t you write about Bonnie?” he’d answered.

I thought it would be an incredible opportunity to tell her story, but worried it would be difficult for her to relive the night of the accident, which I felt needed to be thoroughly described. Still, I called her Monday morning, and blabbed on for probably too long about my idea. She was silent for a moment after I finished, then said, “On Saturday morning, probably about the time you were having breakfast, I was praying. I said, ‘God, I have no idea how, but it’s time. It’s time I tell my story. Robin, God brought you to me.’”

Tears poured from my eyes, and from then on, no matter how many work deadlines cause me to fall short of my self-prescribed weekly writing quota, I’ve never doubted that this project is supposed to happen.

 

 

KP: Memoir is a slice of life told like a story about your life which offers lessons learned. But you are writing about someone else’s life from the “close-third” point-of-view. Please explain what you mean by that and if you feel this qualifies it to be a memoir vs creative non-fiction. I have heard that writing memoir in the first person tends to bring the reader closer to the story. How can you achieve the same with the “close-third” point-of-view?

 

RF: As a journalist, I’ve been trained to hone in on seemingly inconsequential details, plopping readers into a scene they can easily imagine. I don’t think a book has to be told in the first person to achieve that intimacy. To bring the reader as close as possible to Bonnie’s perspective, I tell the story from her point of view (providing back stories on other central characters, but only when Bonnie would know them), and incorporate her thoughts in italics during the book’s most pivotal moments. Lastly, I think that my own experience on the mountain, though not overtly part of the story, provides a depth that I wouldn’t be able to get if I were simply ghostwriting her memoir.

 

 

KP: One of the biggest challenges in writing about real life events is to turn these events into a story that will interest readers. How have you found your story structure and what themes drive your narrative?

 

RF: It took a while to figure out the story structure, and given that I’m still in the writing process (I hope to finish by the end of the year), I feel like I’ll continue to work on pacing. That said, it eventually became clear that the real-time story arc would need to focus on Kilimanjaro. The mountain tied together her past, present and future.

I did make a decision early on to start the book with a prologue of the accident scene. Because Bonnie was the one who found her husband, I wanted readers to be thrown immediately into her experience and to care deeply for her.

Between the real-time scenes written in present tense are flashbacks that develop Bonnie’s character and reveal the parts of her life – as a child, as a two-time cancer survivor, as a married woman, and as a new widow – that have brought her to this lofty goal of climbing a 19,342-foot mountain.

Throughout are themes of loss, persistence, and love.

 

 

KP: As an experienced writer/author/editor, do you have any further tips for those who wish to capture real life events and turn them into a story that will appeal to readers?

 

RF: It makes my head hurt to think about the number of hours I’ve spent interviewing Bonnie and those who know her. (It makes their heads hurt, too!) But the devil is in the details for a reason. Ask good questions, circle back and peel away another layer, then repeat. Use the Internet, bookstore, library, photo albums, journals and any other source that could offer insight into your subject. In my case, I searched for insight about grief, cancer, and the terrain we’d encountered in Africa. When I learned that Bonnie had received two prayer shawls, I found a book on the history of shawl-knitting ministry and used some of its information to better illustrate why the gifts were so meaningful. And I used a journal she’d kept after her husband’s death, among other things, to document her journey.

 

 

KP: Since you are writing about someone else’s experience, one that you witnessed first-hand, what techniques are you using to capture this woman’s voice?

 

RF: Mainly by weaving together critical themes throughout the book. I’ve constantly asked Bonnie to make connections, to show me why she does what she does. By now we’ve spent so much time together, I can hear her voice – her favorite expressions, her delivery – without even trying.

 

 

Thank you Robin for sharing your story as well as the story behind your story of your work-in-progress. I hope you’ll keep us posted on the launch of this book and its unique close third point-of-view. You show that there are many ways to get our stories into the hands of readers.

 

 

Robin L. Flanigan is an award-winning writer and editor whose work has appeared in books, magazines, newspapers, websites, and other media. She lives in Rochester, N.Y., with her husband and 7-year-old daughter.

E-mail: robin@thekineticpen.com

Twitter: @thekineticpen

Web: www.thekineticpen.com

 

 

Africa 331 (1)
Robin at the top of Mt Kilimanjaro

 

How about you? Have you ever written or read anything written in the close-third point-of-view? Do you think this qualifies as a memoir?

 

We’d love to hear your thoughts. Please leave your comments below~

 

Robin has agreed to give away a copy on the anthology, Silent Embrace: Perspectives on Birth and Adoption to a commenter whose name will be selected in a random drawing of commenters. Her essay is “Moving Close” is in this anthology.

 

IMG_0013 Robin's book cover
Silent Embrace: Perspectives on Birth and Adoption

 

The anthology can be ordered on Amazon.

 

ANNOUNCEMENT: Congratulations to Kathy. Your name was selected in a random drawing to receive a copy of Louise Mathewson’s memoir Life Interrupted: Living with Brain Injury.

 

 

This Week: On Thursday, 8/16, I’ll be over at  Author Winsome Campbell-Brown’s Woman, Beauty, Purpose, and Empowerment blog with an interview. Hope you’ll stop by!

 

Next Week:

Monday, 8/19: “7 Tips on Using Beta Readers in Memoir Revision”

Thursday8/22: “Writing Rants” by Cheryl Stahle

Saturday, 8/24: ” WOW! Women on Writing Book Review and Give Away: A Southern Place by Elaine Drennon Little.

 

 

 

The Healing Power of Poetry in Memoir: An Interview with Louise Mathewson

 Posted by Kathleen Pooler/@kathypooler with Louise Matthewson

“When I get back out-

side

through the gift of poetry

I will find my way back

to the web

of life on earth.”

Excerpt of the poem,“A Road Not Chosen” form Life Interrupted Living With Brain Injury

by Louise Matthewson

I am very pleased to feature Memoir Author and Poet Louise Matthewson  in this interview about the healing power of poetry in memoir.

In February 2003, Louise emerged from a coma following an automobile accident in which she suffered a traumatic brain injury (commonly referred to as a TBI). These complex head injuries can have an enormous impact on the injured person and his or her family, with far reaching implications.

        Faced with the biggest challenge of her life, Louise has subsequently used poetry to process her grief and recover – both physically and emotionally. Through her website, she shares samples of her work and resources in hopes it will bring strength and hope to other TBI sufferers and their loved ones.

 A Life Interrupted: Living with Brain Injury, is a collection of transformative poetry that arose from the author’s experience following a traumatic brain injury. It chronicles her emergence from a coma following a serious car accident, her recovery journey, and triumphant return to her writing career.

 While Louise has always written about the sacred moments in everyday experiences, today those experiences hold even deeper meaning. 

        Though a struggle at first, Louise returned to her writing as soon as she was able after her auotmobile accident. She has since used her writing (and poetry in particular) to help her cope with the physical affects of the accident, recovery from post-traumatic stress disorder, and in the emotional part of her healing process. 

 

Here is a link to an interview with her publisher at Pearlsong Press.

 
 Welcome , Louise!
{photo}

  KP:  In 2003, you suffered a traumatic brain injury and fell into a two-week coma following an automobile accident. Tell us what made you decide to write about it and how long it took:

 

LM:

 

KP: How did you find healing through your writing?

 

LM:

 

KP:  You use  poetry to tell your story. Tell us how writing poetry enhanced your storytelling.

 

LM: 

 

Author Bio:

The author of short stories, narrative essays and poems, Minnesota author Louise Mathewson’s work has been published in numerous magazines, journals and anthologies – including the first volume of the bestselling book series, Cup of Comfort Her new book is A Life Interrupted: Living with Brain Injury.

Louise can be contacted in the following ways” 

www.louisemathewson.com

 

 

The Magic of Twitter: A Memoir Moment

Posted by Kathleen Pooler/@kathypooler

 

“Writers need to think of Twitter as the largest cocktail party in the world where you can mingle away with fellow writers ,editors, publishers and friends from all over the world.”

Editor Alan Rinsler, “Strategic Tweeting for Authors on his blog, The Book Deal.

twitter-bird1-300x268
Twitter Bird Flickr Creative Commons

 

When I joined Twitter back in 2010, I did so reluctantly and cautiously, asking myself the following questions:

 

How can I say anything significant in 140 characters?

Who would even care what I had to say?

How could something called Twitter be a serious platform?

 

I did it because I was told I had to if I wanted to build an audience and establish an online presence.

I liked it right away when I found I could connect with people– publishers, agents, authors and writers, like myself who were just getting started.

As a nurse, I was accustomed to communicating information about patients in concise, pertinent ways, whether it be to report information to the next shift or update a physician on a patient’s changing status.

 

Report the facts, just the facts to convey the priority information.

 

Soon these connections led to requests for guest posts and ideas for my own blog posts.

 

I began to enjoy meeting so many new people who helped me in my writing journey. This guest post on Shirley Showalter’s blog spells out how I learned to use Twitter strategically.

 

I then began to meet some of the people behind the tweets either in-person at writer’s conferences or online in other arenas.

 

Relationships were forged. Bonds developed. I began to feel like I knew these people even though I had not met them in person.

 

Then something magical happened one day…

 

Freelance author and editor Robin Flanigan @thekineticpen reached out to me on Twitter. She told me she resonated with my profile and wanted to connect.

A conversation ensued and before we knew it, we discovered that she lived in the vicinity of Keuka Lake where I spend my birthday week every year at the family cottage. Her daughter would be attending a day camp right down the road from where our cottage was the week I would be there.

 

Coincidence? Serendipity?

 

Not only that, we also discovered that our birthdays were one day apart.

 

We planned a face-to-face meeting at the cottage:

IMG_20130702_140243_016 balloons
Happy Birthday balloons to show Robin the way to the cottage

 

We sat on the patio overlooking the lake and talked for three hours non-stop. Lost in our own writerly world, we chattered on as my grandsons ran in and out of the cottage on their various quests and the rest of my family walked past us. They’re used to my writing zones and didn’t even try to engage with us as we soaked up each other’s  projects.

We were in our own little world but the difference was we were sitting across from each other on a picture-perfect sunny July day talking about writing and reveling in our shared interests.

We did take time from our chatter to snap this photo on the beach before Robin left:

 

 

IMG_20130702_140243_016 balloons
Robin and I take a break on the beach

 

It was magical and it all started on Twitter.

 

Real and wonderful people are behind all those tweets.

 

Sunflower Field
Photo credit: Sunflower field by Dreamstimefree.

 

 

Robin will be my guest next week, Monday 8/12. She has a fascinating story behind the story of climbing Mt Kilimanjaro and the memoir she is working on. She will also give away a copy of the anthology, Silent Embrace:Perspectives on Birth and Adoption in which she has an essay, “Moving Close.”

 

 

How about you? Have you found Twitter to be a useful tool in making meaningful connections?

 

 

I’d love to hear from you. Please leave your comments below~

 

 

Announcement: Congratulations, Joan Z Rough! Your name was selected random drawing of commenters to receive Eleanor Vincent’s memoir, Swimming with Maya.

 

 

This week: I’m also over at Mary Gottschalk‘s blog with a guest post. Mary is the author of a compelling memoir, Sailing Down the Moonbeam. She has written a novel, A Fitting Place and is starting a series of guest posts on issues related to her protagonist, Lindsey. The topic of my guest post is “Getting Past Self-Defeating Behaviors.” Hope you’ll stop by there ,too.

 

 

Thursday, 8/8/13: ” The Healing Power of Poetry in Memoir: An Interview with Louise Matthewson.” Louise will give away a copy of her memoir, A Life Interrupted: Living with Brain Injury”, a collection of transformative poetry, to a commenter whose name will be selected in a random drawing.

 

 

 

From Grief to Healing, Part Two: Interview with Memoir Author Eleanor Vincent on Loving and Letting Go of a Child

Posted by Kathleen Pooler/@kathypooler with Eleanor Vincent/@eleanor_vincent

 

“The world breaks everyone, and afterward, some are strong at the broken places.”

 

Ernest Hemingway

 

 

 

I am very pleased to feature Eleanor Vincent in Part Two of this guest post interview about her memoir, Swimming with Maya. Eleanor and I met online in the NAMW Facebook forum. I was so impressed with her memoir of loving and letting go of her beloved daughter, Maya, I asked to interview her in a guest post.

 

 

Swimming with Maya demonstrates the remarkable process of healing after the traumatic death of a loved one. My book reviews can be found on Amazon and Goodreads.

 

 

 

This is Part Two of the interview where Eleanor explores how writing her memoir helped her to heal and reshape her life.

 

 

Welcome back , Eleanor!

 

DSC_0292
Memoir Author Eleanor Vincent

 

 

 

 

 

KP: It seems you have reached a place of healing and peace after such a devastating loss. Do you feel writing about Maya’s death has helped you to heal?

 

EV: Oh definitely! Writing is the way I process almost everything. Certainly something as traumatic as the death of a child requires a deep re-examination of everything and writing is ideally suited to that process. But I need to emphasize that writing was only one of the many healing modalities I used. I knew I’d need to pull out all the stops to recover. So I sought peer-to-peer support through the Compassionate Friends, individual therapy, and spiritual counseling. In addition, I did tons and tons of self-care: walking, healing touch, swimming, dancing, healthy food, lots of rest and time in nature. Family and friends were also very important to my recovery.

 

 

 

KP: What do you think Maya would have to say about your memoir?

 

EV: Maya loved being the center of attention, so having a memoir with her name in the title and her picture on the cover would be a big plus for her. I think she would say I tried hard to paint a balanced portrait of her. She might not agree with everything in the book, but I think she would be very proud of “her” book and of my success as a writer. Thinking about Maya still inspires me to do and be my best. She was a classic over achiever and my biggest cheerleader.

 

 

mayateen100res
Maya at 19

 

KP: Are there any final thoughts you’d like to share about memoir writing or publication?

 

EV: Writing a memoir is difficult – and satisfying – on so many levels. The writer must be both narrator and character and that is not an easy balancing act. The narrator needs to know more than the character does. Getting that perspective requires time, and willingness to dig deep. I highly recommend Vivian Gornick’s book on writing memoir, The Situation and the Story. It helped me to make that separation between the character of the mother in my story and the voice of the narrator.

 

 

I also think plot is an important aspect of memoir. You can’t just tell the story exactly as it happened. You have to create turning points in each chapter, and have a major realization or turning point sometime in the last quarter of the book. In that way, it’s much like writing a novel. You have to constantly ask yourself, “What is at stake here?” If there is nothing on the line for your characters, the reader will lose interest quickly.

 

Publication is a big topic. You have to persist and be willing to do the business of being an author – that is very different from being a writer. Take writing classes, go to workshops, form or join a really good writing group. Take classes on the business aspects such as proposal writing and marketing. Understand the business structure of publishing. Pick the brains of friends who have published and learn what makes agents and editors tick.

 

When I first published the book in 2004 with Capital Books, social media was not part of the equation. Now, it is essential for any writer to reach and stay connected with readers. My publisher Mike O’ Mary at Dream of Things is very sophisticated in his use of virtual channels to produce and market the new edition. It’s a really good time to be a writer if you are willing to put yourself and your work out there and use these new channels for promotion.

 

Thank you Eleanor for sharing your story of loss and healing so honestly and bravely. Not only do I feel satisfied that you have found healing after such a loss, but I feel as if I have met Maya through your words. I also appreciate your memoir writing and publishing tips.

 

***

Eleanor Vincent is an award-winning writer whose debut memoir, Swimming with Maya: A Mother’s Story was nominated for the Independent Publisher Book Award and was reissued by Dream of Things press early in 2013. She writes about love, loss, and grief recovery with a special focus on the challenges and joys of raising children at any age.

 

Called “engaging” by Booklist, Swimming with Maya chronicles the life and death of Eleanor’s nineteen-year-old daughter, Maya, who was thrown from a horse and pronounced brain-dead at the hospital. Eleanor donated her daughter’s organs to critically ill patients and poignantly describes her friendship with a middle-aged man who was the recipient of Maya’s heart.

Her essays appear in the anthologies At the End of Life: True Stories about How we Die (edited by Lee Gutkind); This I Believe: On Motherhood; and Impact: An Anthology of Short Memoirs. They celebrate the unique and complicated bonds between mothers and daughters, making hard decisions as a parent – whether your child is 14 or 40 – and navigating midlife transitions with grace and authenticity.

Eleanor was born in Cleveland, Ohio and attended the University of Minnesota School of Journalism and received an MFA in Creative Writing from Mills College, where she occasionally teaches writing workshops on creative nonfiction and memoir.

She lives in Oakland, California. Visit her website at www.eleanorvincent.com or connect with her author page on Facebook at https://www.facebook.com/eleanorvincentauthor

 

SwM cover
Swimming with Maya book cover

Amazon Link

 

 

How about you? Has writing through grief helped you to heal?

 

 

Eleanor has agreed to give away a copy of her memoir, Swimming with Maya, to a commenter whose name will be selected in a random drawing.

 

 

We’d love to hear from you. Please leave your comments below~

 

 

Next Week:

Monday, 8/05/13: ” The Magic of Twitter: A Memoir Moment”

Thursday, 8/08/13: ” The Healing Power of Poetry in Memoir: An Interview with Memoir Author Louise Mathewson, author of A Life Interrupted: Living with Brain Injury.