Tag Archives: Susan Weidener

A Milestone in a Memoir Writer’s Journey: Are We There Yet?

Posted by Kathleen Pooler/@kathypooler

 

“We don’t receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us.” Marcel Proust 

 

Life is a journey. Enjoy the ride
Photo Credit: Free Google Images-Life is a journey. Enjoy the ride

 

Are We There Yet?. . .

 

Those six hour car trips to Schenectady, New York to visit my Nana and Grandpa DiCerbo back in the 1950s usually started with my younger brother, Tom, asking, ten minutes into the trip,

 

“Are we there yet?”

 

To a five year old, time has little meaning and that question was repeated more than anyone else in the car cared to hear. Especially Dad who would calmly repeat,

 

“Not yet.”

 

I think of that memory as I wrap up the final edits of my first memoir. The journey has been a long one—four years—filled with potholes, detours, new discoveries and transformation.

 

The goal of publishing has always been a distant dream, probably like the goal of getting to Schenectady must have seemed to my five-year-old brother when we’d hop in the car to head east.

 

I knew I’d be happy to get there but I also knew it would be a long way to go.

 

So, I find myself at this juncture of memoir writer, soon-to-be memoir author and I look ahead with anticipation, excitement and a bit of trepidation. That’s my inner critic, Gertrude as I have decided to call her, trying to worm her way into my psyche.

 

I think I’ll put her in the backseat and leave her off at the next rest stop.

 

I have put my heart and soul into this memoir in hopes that others will feel inspired to learn from their mistakes and grow in new ways. I want to share my hope with others through my story.

 

I believe in my story. I’m connected to its purpose. I’m ready to share it.

 

It has been put through the paces of three rounds of developmental editing, two rounds of beta readers and one round of copy editing,and, as a result, multiple rewrites.

 

It’s still not where I need it to be , but it’s closer than it’s ever been.

 

My hat is off to Dale Griffith Stamos for her deep-cut edits and encouragement in shaping my story;  to Susan Weidener for her in-depth insights and suggestions on my memoir’s takeaways; to Eve Gumpel for her detailed fine-tuning in helping me to polish my story; and for my ten loyal beta readers who offered amazing insights from a reader’s point of view on how to make my story better.

 

And a special thanks to all of YOU for your cheers and support along the way. . .

 

It really does take a village to write a memoir.

 

What started as a pile of vignettes written in Linda Joy Myers’ Spiritual Memoir Teleclasses (NAMW) over a four-year period became a “sh*#$” first draft and many workshops and rewrites later morphed into a story only I can tell. Thanks for showing me the map and putting fuel in my tank, Linda Joy!

 

Literary agent Janet Reid, known for her no-nonsense approach, advises in this post:

 

“Good enough is not the standard you want to aspire to” noting she looks for writers who”sweat every word, sentence, paragraph and page.”

 

In other words, write it until it’s right!

 

So I’ve made it to this point. I’ve started the query process with small publishers.

 

I will keep you posted along the way.

 

And we did make it to Schenectady to enjoy wonderful family visits. The long trip was worth it, though uncomfortable and tedious at times.

 

Pretty much like writing a memoir.

 

 

How about you? How has your (memoir) writer’s journey been?

 

I’d love to hear from you. Please leave your comments below~

 

 

 

ANNOUNCEMENT: Congratulations, Dorothy Sanders! You are the lucky winner of Marion Witte’s memoir, Little Madhouse on the Prairie.

 

 This Week:

 

Tuesday, 11/5/13: I’m over at Cate Russell Cole’s CommuniCATE  blog with a post on “Releasing the Creative Genius Within.” Hope you’ll stop by there , too!

 

Thursday, 11/7/13: “The Face of Abuse: Shall I Stay or Shall I Go? by Memoir Author Wanda S. Maxey

 

 

 

Publishing Slants of Light Anthology: An Interview with Memoirist Susan Weidener

Posted by Kathleen Pooler/@kathypooler

 

A writer’s voice is not character alone, it is not style alone; it is far more. A writer’s voice lines the stroke of an artist’s brush-is the thumbprint of her whole person-her idea, wit, humor, passions, rhythms.” Patricia Lee Gauch

 

It is my pleasure to feature Memoir Author  and founder of The Women’s Writing Circle Susan Weidener in this guest post on creating the newly-released anthology Slants of Light: Stories and Poems From the Women’s Writing Circle with fifteen members of the Women’s Writing Circle. Susan is also the author of two memoirs: Again in a Heartbeat and Morning at Wellington Square.  We met in a  LinkedIn Writer’s Cafe group chat in 2012. In February, 2013 , I had the honor of  co-facilitating a journaling workshop with Susan for the Women’s Writing Circle. I experienced first-hand the power of women’s voices to inspire,  nurture and support the stories of our lives.  The Slants of Light anthology is tangible evidence of this power: a gift to us all. My reviews are on Amazon and Goodreads.

Welcome, Susan!

Memoir Author and Founder of The Women's Writing Circle Susan Weidener
Memoir Author and Founder of The Women’s Writing Circle Susan Weidener

Welcome lovely ladies of the Women’s Writing Circle!

The women of  the Women's Writing Circle and Authors of The Slants of Light Anthology
The women of the Women’s Writing Circle and Authors of The Slants of Light Anthology

 

KP: Please share what Slants of Light: Stories and Poems From the Women’s Writing Circle is about.

 

SW: It’s an original collection of stories and poems never before published. Created by 15 writers from the Philadelphia area, the collection spans fiction, creative non-fiction, memoir and poetry.  The book focuses on the voices of women and their challenging and changing roles in society.  Each story and poem addresses a specific theme of daily life – love, loss, friendships, childhood memories, career decisions, aging, divorce, abuse – with compassion and insight.

 

KP: The Women’s Writing Circle was created by you to help women find and honor their voices.  What are the key ingredients in fostering a safe environment to make this happen?

SW: Without a doubt it’s the support and validation that our stories matter. There’s this feeling in the Circle that: “You’re not alone.  I know what you’re talking about and I recognize this as something I’ve experienced too as a woman. Thank you for sharing.”  The Circle can be very empowering as writers grow and learn from each other’s work.

 

KP: What made you decide to pull the women’s stories and poems into this anthology?

 

SW: The collaboration grew out of a rather innocent question on my part one morning at Wellington Square, which is the name of the bookstore where the Circle meets. For over a  year I had been listening to stories of pain and fear, triumph and tragedy, each woman sharing her life and her memories either through fiction, creative non-fiction, memoir or poetry – and as always I had been struck with the pure power and honesty of those stories.  So I said, “What do you think about sharing some of our stories in an anthology?” A few heads turned to one another.  One woman asked, “Would anyone care what we have to say?”  At which point someone else, said “We’ll never know if we don’t try.”

 

KP: Pulling the stories and poems of 15 women into one anthology seems like a daunting task. How did you make this happen and how long did it take?

 

SW: We had no idea when we started where the journey would lead. Truthfully, it was more arduous than any of us on the core committee anticipated, and if we had known, well…..  We would laugh about that just to break the tension. The committee, which consisted of four of us, directed everything from strategy and implementation of deadlines, opening a bank account for anthology funds, to whom to hire as editor and illustrator.  We also did copy and content edits before we sent the manuscript to the outside editor to lessen her load.  We were working on an extremely tight budget and it wasn’t fair to send her something that hadn’t been fairly well polished in advance.  It took exactly one year from beginning to end.  You have to remember, too, these are all original, never before published stories and poems.  Each piece was crafted by the writers specifically for the anthology and to that end each was subjected to a very rigorous editing process both through group critique and by our outside editor.

 

KP:  The title, Slants of Light, is intriguing. How did you come up with this title? 

 

SW :  We loved the idea of light being in the title because we always light the candle to open the Circle.   Edda Pitassi, who served on the committee and was the editor for my memoir sequel Morning at Wellington Square, has a very literary bent.  She had searched and found this Emily Dickinson quote which she liked.  I particularly loved Dickinson’s’ reference to “cathedral tunes” which I felt was a metaphor for the anthology.

 

There’s a certain Slant of light,
Winter Afternoons – 
That oppresses, like the Heft
Of Cathedral Tunes —

 

KP: How has your role as a journalist for The Philadelphia Inquirer helped you in the publication of Slants of Light?

 

SW:  I always liken working at the newspaper for 16 years as a “day-in, day-out writing clinic.”  So there’s that, of course, working on my craft, which never stops. The synergy in a newsroom of reporters and editors lends itself to collaboration, which is what an anthology is all about.  Plus, as a reporter, you are exposed on a daily basis to catchy headlines and well-crafted press releases.  We had to have a vision for this anthology and that meant incorporating themes that resonated with readers, as well as a message of what made our anthology different from others and why people should buy it.

 

KP: What are your ideas for promoting the anthology?

 

SW Endless!  When you have 15 individuals collaborating on a book, there is an amazingly exponential component created through social media, friends, business associates, libraries, churches, book clubs, etc. We are splitting online royalties 15 ways, and the women will be selling the books at events and venues; so that acts as a built-in incentive for promotion.  As a group, we are constantly brainstorming and right now we have a panel discussion about women finding their voices through writing scheduled at a local library, as well as a public reception and debut of the book on May 11 at an historic book store in our area.  We have plans for open mic nights to read our stories to audiences.  We are also planning meet and greet author events at local community day fairs and author signings at colleges and universities, of which there are many in the Philadelphia area, as you know.

 

KP: Is there anything else you’d like to share about the Women’s Writing Circle or Slants of Light?

 

SW:  I would like to thank the women for their dedication and the wealth of talent they brought to this very unique collaboration.  One of my hopes when we started this journey was that this – creating a published book, would be an empowering experience for the women and a chance for them to go out and affirm to other women the joy of finding a voice through writing.  On another topic, I feel that women sometimes spend inordinate amounts of time volunteering and offering up their gifts, their creations, their handiwork without recompense.  I have done this too.  Due to the dynamics of the new publishing age we are living through, writers have a greater chance than ever to dip their toes into the “entrepreneurial pool” and craft a little extra “income” – both monetarily and creatively by tapping into their talents and taking risks.  That is very exciting!

***

Thank you Susan for sharing the process of publishing your anthology, Slants of Light:Stories and Poems From theWomen’s Writing Circle. It is truly a tribute to the power and joy of sharing women’s voices. 

Cover for Slants of Light Anthology by  The Women's Writing Circle.
Cover for Slants of Light Anthology by The Women’s Writing Circle.

Author Bio:

For more information about Susan Weidener visit the Women’s Writing Circle at:

www.susanweidener.com

Twitter @Sweideheart

Or visit her author’s page on Amazon:

http://www.amazon.com/Susan-G.-Weidener/e/B004G7AXQY

The Slants of Light Anthology can be ordered on Amazon

 

How about you? Have you ever submitted a piece to an anthology? Have you ever published an anthology?

Susan has offered to give away a copy of  the Slants of Light anthology to a commenter whose name will be selected in a random drawing.

We’d love to hear from you. Please share your stories and comments below~

 

 

Thursday, 5/2: Memoir Author Laura Dennis will discuss: “Re-launching  a Memoir in the Digital Book Age.” Laura is the author of Adopted Reality and will give away a copy of her updated memoir to a commenter whose name will be selected in a random drawing.

 

 

 

 

 

 

 

 

 

 

 

Thinking Inside the Frame: Using Photographs to Tell Your Story ~ A Guest Post by Cate Russell-Cole

A guest post by Cate Russell-Cole/@cateartios posted by Kathleen Pooler/@kathypooler

“Four basic premises of writing: clarity, brevity, simplicity and humanity.” William Zinsser

 

I am thrilled to feature Writing Teacher, Author and Editor Cate Russell-Cole in this guest post.  Cate has been published in many local and Internet e-zines, magazines and newspapers; and she has researched, written and taught her own courses since 1990. Her most successful course to date is Write Your Life Story, which has a thriving community on Facebook. Cate offers a wealth of writing resources on her site communiCATE. We met online and although I can not remember exactly where we met, I can tell you I feel like I have known Cate forever.

 

Welcome, Cate!

comminiCATE logo
communiCATE logo

 

When I teach memoir writing, my students are mostly women. Whenever we have a male in the classroom, the whole dynamic changes. Often, they don’t want to get too touchy-feely or pour their souls out for a public audience. That’s fine. There are as many types of memoir, as there are memoir writers.

 

In 2004 the Queensland Art Gallery purchased a collection of photographic images by the Australian society photographer, William Yang. These photos are a striking contrast to the gilt framed oils and quirky modern works throughout the gallery. They are a series of 30 black and white photographs, with one short paragraph hand-written under each photo: memoir in a new form… and even better, memoir in a strikingly simple and non-judgemental form. I took my class to view it, including our not so touchy-feely male (who was actually very warm and pleasant off paper.) Everyone walked out of the gallery inspired, considering how they could communicate conflicts and complex issues as easily.

 

William’s exhibition highlighted where his family had lived, their beliefs, their morals and their values. At no time was he ever judgmental about a family member or situation. He did release some skeletons from the family closet, but they were all his skeletons to set free. Out of respect, he waited until his close relatives were deceased before he did so. The picture he painted was realistic, but sensitive. I noticed that he honored his late mother in a simple and special way.

 

As the Art Gallery owns the collection, they allowed me to take the photo shown here; but due to copyright, I cannot reproduce the works in an easier to see form. You can view their page on William here:

Below is some of the text which was with the photos.

 

“In 1979 I had a bad case of hepatitis and I came back to the house of my mother to recuperate. My mother liked having me at home under her control. But I felt the life I had chosen to lead was not in Brisbane, and when I was half better, I went back to Sydney.”

 

“In his day your father was a very dashing man. He played saxophone in a dance band, and he wore silk shirts. He wouldn’t let me iron them, he did them himself. I couldn’t iron them good enough” I stared at my mother in disbelief. “He wasn’t like you know him.” She said.”

 

“Frances was my father’s favorite. She was the apple of his eye. I was my mother’s favorite child. There was a friction between my mother and my sister. They were both strong women.”

 

You can see how simple, but strong the message is. There are no angst-ridden emotional dissections, or lengthy one-sided speeches that could cause family arguments to erupt, or lose your interest amid the details. William got straight to the point. He chose the most important aspects of his family life and how they had affected him. That is always a safe place to focus on controversial topics: how they affected you, rather than who committed what sin.

 

So when you are writing, whatever your gender, use your freedom to be creative and original. Memoir doesn’t have to be a series of dates or plain paragraphs in a book. You can communicate through art, scrapbooking, photos, story quilts, music etc: it’s up to you. Any form of memoir should reflect your personality and interests in life. It should be representative of the main character: you.

 

It is your story to tell. Tell it your way.

 

 

William Yang Exhibition
William Yang Exhibition

 

 

You can find Cate online at:

CommuniCATE Blog: http://cateartios.wordpress.com/

 

Author Page at Amazon: http://www.amazon.com/Cate-Russell-Cole/e/B0083MVRJK

 

Write Your Life Story Community: http://www.facebook.com/pages/Write-Your-Life-Story/173393852705651

 

Twitter: @cateartios

 

This photo of the collection has been reproduced for educational purposes with the kind permission of the Queensland Art Gallery, and is Copyright 2004 Queensland Art Gallery, Brisbane, Queensland, Australia. It may not be reproduced outside of this blog without first obtaining their permission.

 

Thank you, Cate for offering this unique alternative to telling our stories.

 

How about you? Have you ever considered telling your story through photos?

 

We’d love to hear from you. Please leave your comments below~

 

Announcement: Congratulations to book winners: Angie Walker won Poems That Come to Mind by Linda Austin and Dan Blank won Home Sweet Hardwood by Pat McKinzie. Enjoy!

 

Next Week:

4/29: “Interview with Susan Weidener“Memoir Author and Founder of The Women’s Writing Circle on the launch of The Slants of Light Anthology.

5/2: “Re-launching a Memoir in the Digital Book Age: A Guest Post by Memoir Author Laura Dennis”

Finding My Hope in Philly: A Memoir Moment

Posted by Kathleen Pooler/@kathypooler

” For I know the plans I have for you,” declares the Lord,”plans to prosper you and not to harm you; plans to give you hope and a future.” Jeremiah 29:11

 

How does hope work in your life?

 

Hope through faith is a powerful theme in my life and in my memoir-in-progress. Sometimes, it wavers though and I need a little boost. My weekend in Philly with Susan Weidener and the Women’s Writing Circle proved to be just what I needed to get that boost.

 

When Susan invited me to present a workshop on journaling for the Women’s Writing Circle, I was honored and excited for the opportunity. I had taught many nursing workshops in my career but this would be my first writing workshop. Boy, was I in for a treat.

 

Susan and I met on LinkedIn –therein lies the power of the internet for making meaningful connections– when I shared a blog post on using fiction writing techniques in memoir. I was intrigued by one of her comments about standing in your truth and decided to read her memoir, Again in a Heartbeat which I loved for its gripping honesty and universal hopeful message of life after loss. Then I read the sequel, Morning at Wellington Square about finding one’s purpose after a loss, which I also loved.

 

When I learned more about the Women’s Writing Circle and Susan’s work with helping women find their voices, I visualized myself being a part of the group. My memoir-in-progress is about all the self-defeating detours I took because I hadn’t found my voice. I was 43- years-old when I did. Better late than never.

 

In the meantime, I was planning a trip to visit my 96-year-old aunt in a Wayne, PA nursing home and was running into one snag after the next.

 

Before I knew it, Susan had invited me to co-facilitate this workshop that was near my aunt’s nursing home.

 

It really does pay to dream.

 

Friday, Susan picked me up at the Paoli train station –actually more of a pit stop with a small wooden platform and a few folding chairs. But I noticed, it even had a library:

 

Library at Paoli,PA train stop
Library at Paoli,PA train stop

 

 

We drove to see Aunt Glenna at the nearby nursing home and had a lovely two-hour visit:

 

 

Visiting with Aunt Glenna

 

The workshop was on Saturday and I was excited to meet the women in person as I felt I had already “met” them through their engaging and poignant stories and poems in The Slants of Light anthology which will be launched in the Spring:

 

Cover for Slants of Light Anthology, available soon.
Cover for Slants of Light Anthology, available soon.

 

The workshop was filled with heartfelt sharing and writing. As a teacher, I have always been amazed at how much I learn and grow through the process of teaching and this workshop was no exception.

 

After discussing journaling tips, the healing benefits of journaling and journaling tools, we split up into pairs, wrote from writing prompts then shared our writing with our partner. After lunch, we gathered in the circle to share our writing with the entire group.

 

Next to a vase of coral-colored roses, a cylindrical white candle  burned atop a lace-draped small round table in the center to honor the sacredness of our words and stories.

 

As I listened, I experienced heartfelt connections to the stories of the other women. It was a testimony to the power of women’s voices in sharing, connecting and healing.

 

Susan and I at the Women's Writing Circle Journaling Workshop 2/23/13
Susan and I at the Women’s Writing Circle Journaling Workshop 2/23/13

 

I have mentioned the heartbreak of a son who struggles with substance abuse, a story that is always close at heart. So the prompt I chose during the writing exercise which led to this letter to my son, B was “One reason I get sad is” …

…sometimes knowing you are still struggling with who you  are and where you fit  into the world. When I visualize you, I see your many talents; your sensitivity; your dark, dancing eyes; your generous heart.

I see the four-year-old boy who shared his dripping orange popsicle with his little friend, Becky while the two of  sat at the end of the driveway one hot summer afternoon.

I see the seven-year-old rascal at the top of the pine tree, waving your hands above your head, “Look Ma, no hands” as I watched in terror and frustration, trying to coax you down.

I see the kind and loving 10-year-old reaching out to hold the hand of an elderly nursing home resident during a school trip.

I look up at the gangly 13-year-old young man with the crackly voice before you darted off to joke and spar with your friends.

And I wonder, where did it all go so wrong?

What happened to that precious son of mine who now sits in his apartment, alone,and struggles day-to-day to make some sense of the life he hasn’t had? Who looks back at the lost opportunities and dreams and mourns his path?

With fierce mother love, I hang on to hope;

hope that you will reconnect with that little boy within who has so much innate goodness and worth;

hope that you will begin to see  yourself as I see you- healthy, whole and still filled with promise.”

 

After hearing my story and knowing I would be meeting B during a two-hour layover at Penn Station, the women of the Circle encouraged me to read it to him.

I wasn’t sure what I would do.

Although, we’d been in contact, I hadn’t seen B in thirteen months. He met me as planned and I did read him the story, after giving him a big hug and sitting across from him at dinner to hear his story.

My voice teetered a bit toward the end, especially when I read the word “hope.”

Looking at one another through tear-glazed eyes, my handsome, sober 37-year-old son reached across the table to touch my hand and with  a slight smile and nod said,

“I like it, Mom. I am hopeful.”

 

Hope multiplies when it is shared.

 

Thank you Susan and lovely women of the Women’s Writing Circle for helping me tap deeper into my hope.

 

Through my faith and with a little help from my friends, I did find my hope in Philly.

 

“Then you will call on me and come and pray to me and I will listen to you. You will seek me and find me when you seek me with all your heart.” Jeremiah 29: 12-13

 

How about you? Do you have a story of hope to share?

 

 

I’d love to hear from you. Please leave your comments below~

 

 

Announcement: Congratulations to Marlena Baraf for winning a copy of Lorenzo Martinez‘ children’s book, The Ballerina and Peanut Butter and Jelly Sandwich. Anyone one who wrote music for Captain Kangaroo, as Lorenzo did, has got to be good with children!

 

This Week: I am also still over at Lorenzo’s blog with a guest post, ” Defining Moment: Where Will Your Memoir Begin?” and at Victoria Johnson’s blog with a guest post on “Creative Space”

 

 

 

 

Next Week: Memoir Author Barbara Techel will return to discuss “How Vulnerability Can Be a Beautiful Gift in Memoir Writing”, in conjunction with the release of her memoir, Through Frankie’s Eyes: One Woman’s Journey to Her Authentic Self and the Dog on Wheels Who Led the Way.

 

Journal to Memoir: Planting the Seeds for Story

Posted by Kathleen Pooler/@kathypooler

“The nicest part is being able to write down all my thoughts and feelings, otherwise I might suffocate.” Anne Frank from The Diary of a Young Girl: The Definitive Edition.

It all started with the pink diary I received for my eleventh birthday. It had a key so I could lock away all my deepest secrets, like what boy I had a crush on in the sixth grade or all the fun I had at the girl scout camping trip even though those half-cooked hot dogs made me yearn for home.

I could write whatever I was thinking and feeling and nobody would ever know.

Now I am writing a memoir and the whole world will know what I am thinking and feeling. I can’t help but ponder how the transition- from guarding my thoughts with a lock and key to sharing my inner and outer story so openly- happened.

For me, it happened through journaling…

I have journaled for years and never realized that all those times I had poured out my feelings onto the pages of my journal , I was planting the seeds for my memoir.

I still have the blue cloth, three-ring notebook that I created for my senior English teacher, Miss Philips back in 1964. The page dividers have pictures depicting the sections: hopes, beliefs, thoughts, ideas with varied colored plastic tabs where the white labels were inserted.

At the time, it seemed like a silly project. What did Miss Philips know? I can still see her, pencil-thin frame, always dressed in some dark-colored–grey, navy blue or black–dowdy dress or suit. Standing so straight by her desk, she never smiled or wore makeup. Her brown hair was pulled back in a tight bun and her wire-rimmed glasses dangled at the end of her nose.

What in the world would I ever do with that silly notebook?

My First Journal
My First Journal

 

I packed the journal when I went to nursing school and every once in a while, I’d pull it out to glance through the sections. Sometimes, I’d even jot a few thoughts down. For the most part, it lay dormant.

But, as I began my career and started out on my path to contribute to society as an adult, the pages started beckoning me.

It turned out that I did plenty with Miss Philips’s notebook and if I had the chance, I would thank her for the gift of that handmade journal which provided me with a framework to fill in my life story. What started out as an assumption in my adolescent mind that my out-of-touch teacher was wasting my time became a slowly evolving admiration for a teacher who made a lasting difference in my life…

She planted a seed that has bloomed over and over again as I have worked my way through my life challenges.

Without realizing it at the time, I was planting the seeds for my life story.

 

I have journaled through the heartaches of relationship failures, the searing pain of divorce, the loneliness and exhaustion of being a single parent, the terror of dealing with an alcoholic son, the heart wrenching losses of my maternal grandmother, Nan and my best friend, Judy, my own diagnosis of cancer and the illness and death of my beloved father.

The seed journal has spawned many spiral notebooks and decorative journals to accommodate my evolving thoughts and feelings; to capture my moments of need, longing, passion, creativity, my life…the moments that will matter in my memoir.

The journal tells its own story.

*The pages sit blank and patient just waiting to receive my words. As the words fall on the page, the emotions get sorted out. There is something about labeling a feeling that helps to put it into perspective.

*The feelings that grip and gouge on the inside take on a different shape on the outside.

*Knowledge is power and when one becomes clear with one’s own feelings, there is a sense of empowerment.

*When I journaled my way through my father’s 11-day illness and death, I found clarity and solace in my own words. In sharing my deepest, heartfelt grief, I received support and love in return.

Journaling has become my pathway to healing and hope and has helped me to recall, relive and reflect upon the moments and times of my life that will make up my memoir.

Thank you Miss Philips for helping me plant the seeds that have yielded a garden of stories for my memoir.

Look what is growing in my garden
Look what ‘s growing in my garden.

Here are a few journaling resources I recommend:

Amber Lea Starfire, writer and journaling mentor offers journaling prompts and writing tips through her Writing Through Life website, “helping you find meaning in life through the act of writing.

Kay Adams, a pioneer of journal therapy and author of Journal to Self hosts a radio show, Journaling for a Better Life.

Dawn Herring of JournalWriter Freelance and author of The Birthday Wall: Creating a Collage to Celebrate Your Child, hosts a weekly Twitter chat at #JournalChat where she features topics from journal writers. Thursdays 2:00 PM PST.

Julie Cameron, award-winning poet, playwright, filmmaker and author of thirty books, is best known for her work on creativity. One of her books, The Artist’s Way helped spawn a” movement that has enabled millions to achieve their creative dreams”

 

On February 23,2013,I will be co-facilitating a workshop in Exton,Pa, Journaling: A Voyage of Self-Discovery ,with Susan Weidener of The Women’s Writing Circle. If you are in the Philadelphia area, we’d love to have you join us.

 

How about you? Do you journal? If so, has it helped you find your story? I’d love to hear from you.

Please share your comments below~

 

Announcement: Congratulations to Debra Marrs. Your name was selected in a random drawing of commenters to receive Pamela Richards’ memoir, Singing from Silence!

 

Next Week: Just in time for Valentine’s Day, Memoir Author Andrea Lewis will discuss “Writing My Memoir Helped Me Find True Love.” She will give away a copy of her memoir, Dramaville: It’s not a Place; It’s a State of Mind to a random commenter.