Tag Archives: Joseph Campbell

The Memoir Network’s Blog Carnival: What Memoir Writers Have in Common with Sculptors

Posted by Kathleen Pooler/@kathypooler

Author’s Note: I am honored to be presenting this previous post as part of  Denis Ledoux’s The Memoir Network’s Blog Carnival in preparation for “November is Lifewriting  Month” (NILM):

 

“Every block of stone has a statue inside it and it is the task of the sculptor to discover it.” Michelangelo

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Photo Credit: Rock uploaded from istockphoto

As I look at my pile of stories waiting to be shaped into a memoir, I find myself pondering the task.

 

I’ve come to the conclusion that memoir writers are really like sculptors.

*  We start with an amorphous pile of vignettes like a sculptor starts with a slab of marble.

*   We spend endless hours looking at the pile before us and envisioning what its final shape will be.

*   We study our craft ahead of time so we know where to start, what tools to use and how to keep going.

*    We keep digging and carving into our pile until it begins to take shape.

 

A sculptor starts with a slab of marble and a vision. We start with a collection of stories, generated by various methods. Here are a few I have learned and used:

1.  Identifying turning points (Linda Joy Myers) listing key life events along a timeline.

2 Mind mapping – a hand-sketched or software-generated diagram of ideas and events.

3.” Place I’ve Lived” exercise (Jerry Waxler) – compilation of “scene pops” from describing all the homes you have lived in.

4.  “The Tree of  Me” Exercise (Sharon Lippincott) a drawing of concentric circles rippling from the core of you, resembling the rings of a tree. Each ring represents a significant date and events. From this visual, threads and patterns can be  identified.  As you can see from mine, it can get convoluted and cluttered:

My "Tree of Me" drawing
My “Tree of Me” drawing

My “Tree of Me” drawing

5.   Patchwork Quilt- think of your story as a patchwork quilt with each square representing a scene in the story. You start out by collecting the squares until you are ready to sew them into a pattern.

There is debate in writing circles about approaches to story structure called Planner or Pantser. 

Do you work from an outline (planner) or do you “fly by the seat of your pants” (pantser)?

For the purposes of defining story structure, I am a planner.

When I  reached the point of readiness to pull my stories together into a first draft, I had a general sense of my story, I wanted to leave myself open to new discoveries as I sifted, sorted, rearranged the pieces and envisioned where my story would take me. I’d heard that one shouldn’t even worry about the beginning or end until the rewrite, the next step after the first draft.

Dave Hood, Author of Find Your Creative Muse blog describes narrative structure in creative nonfiction  as “the sequence of events and the way in which a writer tells the story,” citing a variety of  frameworks that can be used.

Linda Joy Myers points out that “a memoir is a story, created and constructed with skill and focus” and requires a “story structure and narrative arc that includes three acts of dramatic structure.” She goes on to reinforce the importance of identifying “your main meaning of your story, what the book is about in one sentence (pitch) and what will the reader gain from reading your story.” Show the transformation.

 Rachelle Gardner brings up the importance of writing “real-world stories with a plot, scenes with action and dialogue rather than chronicling a series of devastating emotional events. Make sure your book has a protagonist with a choice to face (a conflict), obstacles to overcome, a desired outcome and consequences (the stakes) if the goal is not reached.”

Memoirist Meghan Ward emphasizes the importance of having a strong story arc early on as you write.

Like a sculptor needs carving tools to shape a creation, I needed a plan to fit my story into, keeping the above goals in mind about story and theme:

Annie Lamott spread her papers in a trail on the floor and rearranged them until they made sense to her as described in her writing instruction bookBird by Bird.

Stephen King described his office space as covered in post-it notes with ideas and phrases in his memoir, On Writing.

David Price advises that “you won’t see what the story is actually about until you’re at the end” in his book, The Pixar Touch and cites the following framework for storytelling:

“Once upon a time there was…Every day… One day…Because of that…Because of that…Until finally…”

Joseph Campbell believes we are all on a mythic journey, a “Hero’s Journey.” His framework recognizes a triggering event that propels the hero into action through” the dark night of the soul” where many obstacles must be overcome until resolution /transformation is achieved.  Enjoy this YouTube video.

Author and Writing Coach Mary Carroll Moore uses the W Storyboard Structure which provides the framework for  plotting out the story in the shape of a W, using three acts, starting with the triggering event going to the first turning point, building to a climax, second turning point then moving forward toward resolution/realization/transformation. She reviews it in more detail here.

Storyboarding is the method I had chosen to start sculpting my story. I began by writing vignette summaries on colored post-it notes and placing them on a trifold poster board for Acts One, Two and Three, incorporating key points from Mary Carroll’s W Storyboard Structure and Joseph Campbell’s Hero’s Journey framework.

Mapping out my story on a storyboard using" W Story Structure" by Mary Carroll Moore
Mapping out my story on a storyboard using” W Story Structure” by Mary Carroll Moore

 

“In every block of marble I see a statue as plain as though it stood before me, shaped and perfect in attitude and action. I have only to hew away the rough walls that imprison the lovely apparition to reveal it to other eyes as mine sees it.”  Michelangelo

 

 

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Photo Credit: “Michelangelo’s Pieta” by Allie Caulfield uploaded from Flickr Creative Commons

Like the master sculptor, Michelangelo, we all need tools to “hew away the rough walls” that would imprison the “lovely apparition” of the story we need to tell.

 

How about you? Have you envisioned your masterpiece?

 

What methods have you used to discover your story? What methods appeal to you?

 

I’d love to hear from you. Please leave your comments below~

 

 

Announcement: Congratulations, Louise Mathewson! Your name was selected in a random drawing of commenters to receive Shirley Showalter’s memoir, Blush.

 

This Week:

Wednesday, October 9: ” How I Found My Memoir Searching for My Roots”, a guest post by Paige Strickland.

Friday, October 11: “Memoir Writing Tips by Denis Ledoux: Describing Characters in a Memoir Can be Easy Enough.”