Tag Archives: Jerry Waxler

The Memoir Revolution: An Interview with Jerry Waxler

Posted by Kathleen Pooler/@kathypooler  with Jerry Waxler/@jerrywaxler 

 

 

I am very pleased to feature Memoir Author and Coach Jerry Waxler in this interview about his memoir, Memoir Revolution. In this book, Jerry traces the growth of memoir as a distinct genre worthy of literary recognition. Jerry’s passion for memoir is evident both in this book and in his blog, Memory Writer’s Network where he has offered in-depth analyses of over one hundred memoirs.  My reviews of Memoir Revolution can be found on Amazon and Goodreads.

 

Welcome, Jerry!

 

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Memoir Author and Teacher Jerry Waxler

 

 

 

KP:  In Memoir Revolution , your premise seems to be that “sharing our stories draws us into a global community and breaks down barriers.” Could you explain what you mean by it?

 

JW: Reading memoirs allows me to see the world through other people’s eyes. Through the magic of reading, I’ve been in combat, political and religious persecution. I’ve experienced being a mother, father, abused child, foster child, caregiver. I’ve experienced the world through the minds of Christians, Muslims, Jews, Hindus, yogis, Buddhists, and seekers. I’ve lived in Romania, Liberia, Russia, Belize, England, Iran, Japan, India, and so on. These intimate connections created by their stories reduces the distance between us, and makes me feel like we are all part of the same human community.

 

KP: Storytelling has been with us since ancient times.  Why is this a time of revolution?

 

 

JW: Stories have been important to me since I was old enough to listen to my mother reading me stories. Throughout my school years and throughout much of my adulthood, I read novels and went to movies, influenced by the fictional situations and characters. In the 21st century, I discovered memoirs. These apply the ancient craft of storytelling to help us understand ourselves and each other. Why now? That’s a great question. I devoted a whole chapter to answering it in my book Memoir Revolution. I don’t think I can do it justice in this space.

 

KP:  We’ve all heard that celebrity status is nearly required before your story will be noticed, let alone succeed. How does the memoir revolution change this dynamic?

 

JW: Traditional publishers need a staggering number of sales in order to pay for book designers, editors, marketers, warehouses and distributors. There’s always a chance that your or my memoir might catch on and sell 30,000 copies but if they don’t sell to the mass market the publisher loses money. Traditional publishers reduce the risk of such losses by leaning heavily toward famous people or people whose stories are provocative or notorious, for example having recently been in the news, or involving a major scandal.

However, we live in a remarkable time when there is a new option to publish it ourselves. Given this possibility, we can now imagine our book out there in the world. All we have to do is pour ourselves into the creative challenge of telling our story the best way we know how. Striving toward excellence is one of the most exhilarating things about the whole Memoir Revolution, causing millions of aspiring writers to learn techniques, understand story structure, and in general improve our understanding of how stories work. Then, once we’ve finally achieved this goal, we can use the internet and electronic distribution to find the niche of readers who happen to be interested in our story.

 

KP:  I’ve been told that in order for a memoir to be successful, it has to be bigger than you. How can we turn the everyday stories of our lives into stories that matter— ones that transform and transcend barriers?

 

JW:  “Bigger than you.” I never thought of it quite that way, but now that you mention it I love it. Our actual lives kind of meander from day to day, and include things like brushing your teeth and washing the dishes, running errands, and so on. Memoirs are portrayals of purified versions of ourselves, refined to focus on things like creative passion, emotional survival and the will to heal. So how do you find that deeper more profound story?

I find that searching for the story has been one of the most fascinating of my life. I wake every morning and run to my writing desk to try to put words around central themes. By attempting to give others a story worth reading, I also grow to have a deeper understanding of myself.

 

KP: I’ve been networking with memoir writers, interviewing them, and writing my own memoir, and one thing continues to amaze me. We’re all so willing to put our private lives out into the public. How do you explain that?

 

JW: Until I began to find my writing voice, I hated talking about myself. In fact, talking about myself felt dangerous. However, when I began to write, I looked at the silence that I had always assumed “protected” me in some way and realized that my shyness had isolated me. Privacy started to feel like a cloak of invisibility.

Writing the memoir has allowed me to let go of my secrets, and share my unique, authentic self. Even though I have not yet published it, I have shared it in critique groups and with beta readers, and listening to the way they react helps me see myself through their eyes. And by learning to open up in the pages of my memoir-in-progress I have become more willing to share anecdotes in writing and speaking than I ever thought possible. I’ve come a long way in my attitude about these issues of privacy, shame, and exposure. I credit the Memoir Revolution with this shift in my attitude about my relationship with the world.

 

KP: Any other messages from the Memoir Revolution you want to emphasize?

 

One of the reasons I wrote Memoir Revolution is to help people who are on the fence about whether or not to write a memoir. In addition to considering the benefits of this project, I encourage aspiring writers to avoid getting tangled in the reasons not to do it. I’ve heard all sorts of rules that make memoir writing seem very restrictive and confining. “A memoir shouldn’t be therapy. You shouldn’t do it for yourself.  It shouldn’t be an autobiography. It shouldn’t be about too long a period of your life. It might make someone angry.” All these shouldn’ts make me dizzy.

Instead of answering all the questions before you even start, I suggest you jump in, and go one step at a time. The first step is to research your story. As an investigator and journalist, pull the information, memories and scenes together onto paper. During the second step you become a storyteller. Finding the story can be one of the most invigorating and engaging creative challenges of your life, showing you how to apply the art of Story to your experience. Through this lens, you will understand the dramatic tensions and arc of your own life. When you research your story structure, you will also be reading lots of memoirs, offering you a better appreciation of the stories that other people are living.

Consider publishing your memoir to be a third, separate step. If you keep that aside, you don’t have to worry about hurting anyone. You can take your time to strive for the best structure and voice. And you can learn to share and see yourself through story. Worry about all the additional baggage of publishing when you are really, truly ready.

 

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Thank you Jerry for sharing your thoughts on writing a memoir and for inspiring us to participate in the “Memoir Revolution.”

 

Author Bio and Contact Information:

Jerry Waxler shares his passion for life story writing on the blog Memory Writers Network which contains 100s of essays, interviews and book reviews. His three books, Memoir Revolution, Learn to Write a Memoir and Four Elements for Writers are available from www.jerrywaxler.com. He teaches nonfiction writing at Northampton Community College in Bethlehem, Pennsylvania, is on the board of directors of the Philadelphia Writers Conference, and is an advisor to the National Association of Memoir writers. He has a B.A. in Physics and M.S. in Counseling Psychology.

 

Jerry can be reached on his website: Memory Writer’s Network

Facebook: Jerry Waxler

Google+ Jerry Waxler

Twitter @jerry waxler

 

 

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The Memoir Revolution Book Cover

 

The Memoir Revolution can be ordered from Amazon

 

 

How about you? Have you considered joining the “Memoir Revolution”?

 

Jerry has offered to give away a copy of “The Memoir Revolution” to a commenter whose name will be selected in a random drawing.

 

We’d love to hear from you. Please leave your comments below~

 

 

 

Wednesday, 10/16:  An Interview with Memoir Author and Ex-Nun Karen Leahy: The Summer of Yes. Karen will give away a copy of her memoir to a commenter whose name will be selected in a random drawing.

The Memoir Network’s Blog Carnival: What Memoir Writers Have in Common with Sculptors

Posted by Kathleen Pooler/@kathypooler

Author’s Note: I am honored to be presenting this previous post as part of  Denis Ledoux’s The Memoir Network’s Blog Carnival in preparation for “November is Lifewriting  Month” (NILM):

 

“Every block of stone has a statue inside it and it is the task of the sculptor to discover it.” Michelangelo

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Photo Credit: Rock uploaded from istockphoto

As I look at my pile of stories waiting to be shaped into a memoir, I find myself pondering the task.

 

I’ve come to the conclusion that memoir writers are really like sculptors.

*  We start with an amorphous pile of vignettes like a sculptor starts with a slab of marble.

*   We spend endless hours looking at the pile before us and envisioning what its final shape will be.

*   We study our craft ahead of time so we know where to start, what tools to use and how to keep going.

*    We keep digging and carving into our pile until it begins to take shape.

 

A sculptor starts with a slab of marble and a vision. We start with a collection of stories, generated by various methods. Here are a few I have learned and used:

1.  Identifying turning points (Linda Joy Myers) listing key life events along a timeline.

2 Mind mapping – a hand-sketched or software-generated diagram of ideas and events.

3.” Place I’ve Lived” exercise (Jerry Waxler) – compilation of “scene pops” from describing all the homes you have lived in.

4.  “The Tree of  Me” Exercise (Sharon Lippincott) a drawing of concentric circles rippling from the core of you, resembling the rings of a tree. Each ring represents a significant date and events. From this visual, threads and patterns can be  identified.  As you can see from mine, it can get convoluted and cluttered:

My "Tree of Me" drawing
My “Tree of Me” drawing

My “Tree of Me” drawing

5.   Patchwork Quilt- think of your story as a patchwork quilt with each square representing a scene in the story. You start out by collecting the squares until you are ready to sew them into a pattern.

There is debate in writing circles about approaches to story structure called Planner or Pantser. 

Do you work from an outline (planner) or do you “fly by the seat of your pants” (pantser)?

For the purposes of defining story structure, I am a planner.

When I  reached the point of readiness to pull my stories together into a first draft, I had a general sense of my story, I wanted to leave myself open to new discoveries as I sifted, sorted, rearranged the pieces and envisioned where my story would take me. I’d heard that one shouldn’t even worry about the beginning or end until the rewrite, the next step after the first draft.

Dave Hood, Author of Find Your Creative Muse blog describes narrative structure in creative nonfiction  as “the sequence of events and the way in which a writer tells the story,” citing a variety of  frameworks that can be used.

Linda Joy Myers points out that “a memoir is a story, created and constructed with skill and focus” and requires a “story structure and narrative arc that includes three acts of dramatic structure.” She goes on to reinforce the importance of identifying “your main meaning of your story, what the book is about in one sentence (pitch) and what will the reader gain from reading your story.” Show the transformation.

 Rachelle Gardner brings up the importance of writing “real-world stories with a plot, scenes with action and dialogue rather than chronicling a series of devastating emotional events. Make sure your book has a protagonist with a choice to face (a conflict), obstacles to overcome, a desired outcome and consequences (the stakes) if the goal is not reached.”

Memoirist Meghan Ward emphasizes the importance of having a strong story arc early on as you write.

Like a sculptor needs carving tools to shape a creation, I needed a plan to fit my story into, keeping the above goals in mind about story and theme:

Annie Lamott spread her papers in a trail on the floor and rearranged them until they made sense to her as described in her writing instruction bookBird by Bird.

Stephen King described his office space as covered in post-it notes with ideas and phrases in his memoir, On Writing.

David Price advises that “you won’t see what the story is actually about until you’re at the end” in his book, The Pixar Touch and cites the following framework for storytelling:

“Once upon a time there was…Every day… One day…Because of that…Because of that…Until finally…”

Joseph Campbell believes we are all on a mythic journey, a “Hero’s Journey.” His framework recognizes a triggering event that propels the hero into action through” the dark night of the soul” where many obstacles must be overcome until resolution /transformation is achieved.  Enjoy this YouTube video.

Author and Writing Coach Mary Carroll Moore uses the W Storyboard Structure which provides the framework for  plotting out the story in the shape of a W, using three acts, starting with the triggering event going to the first turning point, building to a climax, second turning point then moving forward toward resolution/realization/transformation. She reviews it in more detail here.

Storyboarding is the method I had chosen to start sculpting my story. I began by writing vignette summaries on colored post-it notes and placing them on a trifold poster board for Acts One, Two and Three, incorporating key points from Mary Carroll’s W Storyboard Structure and Joseph Campbell’s Hero’s Journey framework.

Mapping out my story on a storyboard using" W Story Structure" by Mary Carroll Moore
Mapping out my story on a storyboard using” W Story Structure” by Mary Carroll Moore

 

“In every block of marble I see a statue as plain as though it stood before me, shaped and perfect in attitude and action. I have only to hew away the rough walls that imprison the lovely apparition to reveal it to other eyes as mine sees it.”  Michelangelo

 

 

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Photo Credit: “Michelangelo’s Pieta” by Allie Caulfield uploaded from Flickr Creative Commons

Like the master sculptor, Michelangelo, we all need tools to “hew away the rough walls” that would imprison the “lovely apparition” of the story we need to tell.

 

How about you? Have you envisioned your masterpiece?

 

What methods have you used to discover your story? What methods appeal to you?

 

I’d love to hear from you. Please leave your comments below~

 

 

Announcement: Congratulations, Louise Mathewson! Your name was selected in a random drawing of commenters to receive Shirley Showalter’s memoir, Blush.

 

This Week:

Wednesday, October 9: ” How I Found My Memoir Searching for My Roots”, a guest post by Paige Strickland.

Friday, October 11: “Memoir Writing Tips by Denis Ledoux: Describing Characters in a Memoir Can be Easy Enough.”