Tag Archives: Joe Bunting

Why Fear is the Key to Unlock Your Best Writing by Joe Bunting

Posted by Kathleen Pooler/@kathypooler with Joe Bunting/@joebunting

 

 

“I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but you begin anyway and see it through no matter what.” — Atticus Finch, To Kill a Mockingbird

 

It is my pleasure to feature author, writing coach and founder of The Story Cartel, Joe Bunting in this guest post. Joe and I met through his Story Cartel Course which I highly recommend for any writer who wants to “increase their audience, create industry connection and build a strong foundation for a writing career.”

Joe Bunting is the creator of The Write Practice, a writing blog that has become the biggest, collaborative writing workbook online, and Story Cartel. His latest project is a memoir Goodbye Paris, a memoir about his adventures in Paris and Europe. He comes home and starts writing about his adventures today!

 

Welcome, Joe!

 

JoeBunting-Headshot
Joe Bunting

 

 

Why Fear Is the Key to Unlock Your Best Writing

When was the last time you felt fear? Not horror movie fear or roller coaster fear. I’m talking about the kind of fear you experience before your first day of college or before the birth of your first child, the fear when you first tell someone you love them or when you tell someone you made a terrible mistake.

I’m talking about the gnawing, back-of-your-mind question, “What if this all goes wrong? What if I fail?” You’re standing on a ledge, looking down at the water 40 feet below, knowing you look silly, that you should just jump, but you’re not sure if you can. It’s taking all your energy just to stay there, looking down, and not run away.

I think we spend too much time avoiding this kind of fear, especially as writers. 

The best stories come out of fear. Have you ever noticed how talkative children get after they do something they were afraid of? They can’t help but tell the story, even perfect strangers.

Every good story requires courage. Every single one. If you’re writing about your life and you’re not summoning the courage and facing fear regularly, your writing isn’t going to be very interesting.

 

What is the most courageous thing you could do today? My wife and I are planning a three-month trip to Europe. Our loose plan is to spend six weeks in Paris, four weeks traveling around Central and Eastern Europe, and then meet our family in Florence, where we’ll rent a villa. It sounds like an amazing trip, the kind of trip you’d be stupid to say no to if you had the chance.

The problem is, we have a five-month-old baby.

In my short tenure as a father, I’ve come to realize having children multiplies fear. My wife and I have both travelled extensively, and while the prospect of a three-month trip to Europe does make me a bit nervous, it’s nothing we can’t handle. However, the idea of traveling with a baby paralyzes me.

I can think of a thousand things that could ruin our trip. What if he cries on the plane? What if we’re robbed and don’t have money for a hotel? What if he throws up in the Louvre?

And yet, which will make a more interesting story? Staying in our comfortable house, with our comfortable routine, sitting on our comfortable couches. Or taking a trip that could change all of our lives, including the life of my son? If both of those stories were books, and you had to choose which one to read, which would you pick?

Courage begins with desire. Of course, having a hard conversation with your spouse can be just as courageous as taking a trip that scares you.

Courage begins the same place good stories do, with the question, “What do you want?” Perhaps you’re thinking of something right now, something you’ve been dreaming about doing but shrugged off because it seemed too difficult.

In the story I’m living, I want to write in the Parisian cafés where Hemingway used to write. I want to take my wife to her favorite city in the world. I want to practice my French so we can become a multi-lingual family.

What do you want? What are you dreaming about? If you achieve this dream, how will you feel?

Today, give yourself permission to chase that desire you’ve shrugged off as impossible. Make a plan, map out the obstacles, and begin.

Will you see it through no matter what? One of my favorite quotes is from Harper Lee’s To Kill a Mockingbird:

“I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but you begin anyway and see it through no matter what.” —Atticus Finch

We sometimes confuse courage with power, but courage is more about beginning, beginning something that might fail, taking a risk on your dreams, on something you believe in. Courage is about beginning something important, and seeing it through no matter what.

Wait a second…. Doesn’t that sound like a story worth reading?

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Thanks, Joe for sharing these timely and inspirational thoughts on stepping outside our comfort zones and finding our own inner strengths. It was in your Story Cartel Course, that I found the courage to get my stories out there more and ask fellow writers to be my beta readers!

Think back to a moment you showed courage. What did you want and why? What made it scary to pursue what you wanted? Did you get what you wanted or not? How did you feel ?

 

We’d love to hear from you. Please leave your comments below~

 

This Week:

Saturday, 5/10/14:  “A Tribute to Nursing: Happy Nurses’ Week”

 

Next Week:

Monday, 5/12:  “Introducing Ever Faithful to His Lead: The Pubslush Campaign for My Memoir Launches”

 

 Wednesday, 5/14/14: “A Google+ Hangout Interview with Memoir Author Cindi McVey: To Live in Paradise”

 

Seven Lessons on Using Beta Readers During Revision

Posted by Kathleen Pooler/@kathypooler

 

“I work very hard at writing,writing and rewriting and trying to weed out the lumber.” David McCullough

 

My work-in-progress memoir, Ever Faithful to His Lead (working title) has  recently completed its second round  with beta readers.

 

I have reviewed all beta input, incorporated the revisions that fit then sent it off to a copy editor for final editing and proofing.

 

The process  has felt a little like cleaning the house in preparation for the cleaning lady.

 

Every time I look it over, I change something. Or see a typo. Or question a sentence structure.  Or notice an inconsistency in tense.

 

My gosh, when is it ever done?

 

I’ve heard from others that it is never really done even after it’s published. It seems to be human nature to hone in on our deficits.  My husband was the general contractor when our home was built. He sees every little flaw in workmanship whereas all I see is a beautiful home in the woods. When I used to sew outfits for myself, I was tuned in to all the areas I had fudged or had difficulty with ,whereas others would give me glowing feedback on how lovely the outfit was. I think the same applies to writing.

 

I know at some point it will have to be good enough and I will have to take my chances at launching it out into the world.

 

As I move along in my journey toward publication, I reflect on the following lessons I’ve learned:

1.     Connecting with my purpose for writing in the first place needs to be clear.

2.     I need to be willing to learn my craft and keep writing until it’s right.

3.     I need to be open to constructive feedback and ways to improve.

4.     I need to take all the feedback into consideration but be clear enough about my story to know what to keep and what to disregard.

5.     Beta readers can offer a wide range of feedback and suggestions from a reader’s perspective.

6       Not only do beta readers offer valuable feedback , they also feel invested in your story and in its success.

7.     Developing a system of selecting beta readers is an individual decision. Some people , like Guy Kawaski , author of APE-How to Publish a Book, reach out to hundreds of people. Others don’t  even use beta readers.

 

Here’s how I approached the beta reading process:

 

* I chose ten people from various communities I belong to, including people outside my memoir genre. I did this because a memoir  should read like a novel. Now I’ll admit to my self-promotion phobia but Joe Bunting over at Story Cartela new way for readers and authors to connect– convinced me that beta readers were essential.

The-Story-Cartel-Course-logo
The Story Cartel Course

 

The mission of Story Cartel is to “encourage writers to share their stories”.

 

I took Joe’s Story Cartel Course. Receiving honest and constructive critique on my stories turned out to be my favorite part of the course and prompted me to use beta readers.

Check out Story Cartel and see for yourself how the course helped transform 5 writers, including myself, through the “Power of Community.

Thank you, Joe and  fellow cartelistas!

 

*  I listed the areas I wanted feedback on: Readability? Does the tense work? Does it keep your attention? Are the characters believable? Is the dialogue authentic? Are the themes , narrative arc? Are you satisfied at the end?

 

In this post, What is a Beta Reader, and Why Do We Need Them?, Christian Fiction Writer Sharon A. Lavy discusses the importance of clearly spelling out expectations for your beta readers, noting that two criteria for selecting who to ask are, “those who are invested in your success and those who will be able to be honest.”

Memoir Author and Fiction Writer Carol Bodensteiner offers her insights on the beta reading process in this post,“Trusting my Baby to Beta Readers.”

 

* I asked my beta readers to focus more as a reader than an editor. They certainly could mention edits but my focus was more on general areas of pacing , flow, narrative arc, clear themes, redemption at the end. Was it a worthy read? What works, what needs work in terms of story structure?

 

The results:

 

Clear direction on what works, what needs work and how close they feel I am to being done.

 

I am very grateful to my beta readers and highly recommend incorporating them into your revision process. They have shed light on areas that I couldn’t have seen myself.

 

My beta readers, with their fresh eyes and fresh perspectives have validated for me what I am doing right and opened my mind to ways I can make my story better.

 

They are helping me move along to the finish line.

 

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United in purpose~thank you, beta readers!

Photo credit: istockphoto

 

How about you? What has your experience with beta readers been?

 

I’d love to hear your thoughts. Please leave your comments below~

 

 

Announcement: Congratulations to Mary Gottschalk.  Your name was selected to receive the anthology, Silent Embrace: Perspectives on Birth and Adoption, which includes Robin Flanigan’s essay,”Moving Close.”

 

It’s a busy week:

Tuesday, 8/20: I’ll be over at Paul Dorset’s blog, Utterances of an Overcrowded Mind, with a guest post: “7 Tips I Have Learned About Connecting with My Purpose for Writing a Memoir.” Hope to see you there!

 

Thursday, 8/22: Cheryl Stahle, Writing Coach and Author of  Slices of Life: The Art and Craft of Memoir Writing will return as a guest to discuss how “Writing Rants” helped her clear the air. Cheryl will give away a copy of her memoir resource book to a commenter whose name will be selected in a random drawing.

 

Saturday, 8/24: WOW! Women on Writing Book Review and Giveaway of A Southern Placea debut novel by Elaine Drennon Little.